'A Room At The Heartbreak Hotel' song lyrics by U2

"A Room at the Heartbreak Hotel" by U2 paints a vivid picture of emotional isolation and the complexities of heartbreak. 

The song dives into themes of longing, loss, and the sense of being trapped in a place where emotional wounds are both felt and lived. The "Heartbreak Hotel" metaphorically represents a mental space, a liminal zone between desire and despair, where the protagonist finds themselves in a cycle of yearning that never quite leads to closure. 

The room becomes a symbol of personal exile, a place where past relationships and unresolved feelings linger, creating a suffocating environment of emotional stasis. The lyrics blend melancholy with a dark sensuality, reflecting the paradox of being drawn to something that is ultimately painful, a space where love and hurt are inextricably intertwined

Given the bluesy roots that U2 were trying to lay down on Rattle and Hum, Heartbreak Hotel is probably a reference to the popular Elvis song as well.  

'A Room At The Heartbreak Hotel' song lyrics by U2

From where I stand
I can see through you
From where you're sitting, pretty one
I know it got to you

See the stars in your eyes
You want the truth but you need the lies
Like Judy Garland, like Valentino
You give your life for rock and roll, uh huh

Stand
We're on the landslide of love
You got everything you want,
And what you need you give away

For a primitive love and a ride on the mystery train
A primitive love
A room at the heart, heartbreak hotel
A room at the heartbreak, heartbreak hotel
A room at the heartbreak, heartbreak hotel

You say it's love, it's not the money
You let them suck your life out like honey
Turning tricks, you're on the street
Selling your kisses so bittersweet

I love it, yeah
Buy me again
I want to know pretty baby
I want to know
The price is too hard to pay

A primitive love and a ride on the mystery train
A primitive love
A room at the heart, heartbreak hotel

A room at the heartbreak, the heartbreak
The heartbreak hotel, hotel
A room at the heartbreak, the heartbreak
The heartbreak hotel, hotel
A room at the heartbreak, the heartbreak
The heartbreak hotel, hotel
A room at the heartbreak, the heartbreak
The heartbreak hotel, hotel

Hallelujah, said halle-hello to ya
Said hallelujah

A room at the heartbreak, the heartbreak
The heartbreak hotel, hotel
Halle, halle, halle, hallelujah
Halle, halle, halle, hallelujah
A room at the heartbreak, the heartbreak
The heartbreak hotel, hotel
Halle, halle, halle, hallelujah
Halle, halle, halle, hallelujah
Halle, halle, halle, hallelujah
Halle, halle, halle, hallelujah
A room at the heartbreak, the heartbreak
The heartbreak hotel, hotel

-

"A Room at the Heartbreak Hotel" was originally released as a B-side to U2's 1989 single "Angel of Harlem," part of the Rattle and Hum era. The song didn’t feature on the main album but was included as an additional track, reflecting U2’s tradition of offering deeper cuts and experimental pieces on B-sides e.g. The Lady With the Spinning Head. 

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'Rattle and Hum' album lyrics by U2

Following on from the mega selling The Joshua Tree was seen as a tough act to follow - U2 were nearly up to the challenge with Rattle and Hum, an album with some killer songs like All I Want Is You and God Part II but as a whole it didn't quite have the same magic as The Joshua Tree.

That said the album produced plenty of hits of U2 and songs from Rattle and Hum still feature in most U2 concert set lists.

The album was intended to be a tribute to some musical legends and took a bluesy turn with Desire featuring a Bo Diddley inspired riff being played on Desire, blues maestro BB King featuring his own guitar work on Love Comes To Town and lyrics evoking memories of jazz legends Billie Holiday and Miles Davis and even John Lennon.

The album title, Rattle and Hum, is taken from a lyric from U2's own "Bullet the Blue Sky"

Rattle and Hum album lyrics by U2

         

1. Helter Skelter - Beatles cover

2. Van Diemen's Land

3. Desire

4. Hawkmoon 269

5. All Along The Watchtower - Bob Dylan cover

6. I Still Haven't Found What I'm Looking For

7. Freedom For My People (Sterling Magee and Adam Gussow)

8. Silver And Gold

9. Pride (In The Name Of Love) 

10. Angel Of Harlem

11. Love Rescue Me

12. When Love Comes To Town

13. Heartland 

14. God Part II

15. The Star Spangled Banner

16. Bullet The Blue Sky

17. All I Want Is You

B - sides 

• Unchained Melody cover of the Righteous Brothers - All I want is You
• Dancing Barefoot cover of Patti Smith - When Love Comes to Town
• Everlasting Love by Robert Night - When Love Comes to Town
• Hallelujah Here She Comes - Desire
• A Room at the Heartbreak Hotel - Angel of Harlem

Themes of the Lyrics in Rattle and Hum

Rattle and Hum explores a blend of deeply personal themes and broader social commentary, building on U2's previous work but with a more explicit nod to American music traditions. The lyrics delve into the band’s evolving relationship with America, grappling with its cultural richness while critiquing its political and historical complexities. 

Songs like "Bullet the Blue Sky" focus on U.S. interventionism in Central America, showcasing U2’s stance on political injustice, while tracks like "Hawkmoon 269" and "Heartland" reflect on the spiritual and geographical expanse of the country. The album also dives into personal themes of love and yearning in songs such as "All I Want Is You," where the lyrics speak to desire and emotional vulnerability.

U2's Concept for Rattle and Hum

Conceptually, Rattle and Hum was U2’s attempt to pay tribute to the great musical traditions of America—specifically blues, gospel, and early rock 'n' roll—while fusing these influences with their signature sound. 

The album reflects their immersion into American music history, as evidenced by their collaborations with B.B. King and their homages to Bo Diddley and John Lennon. It’s a blend of homage and reinvention, with the band using this album to explore their own artistic roots, while simultaneously showing reverence for legends who paved the way before them. U2 sought to engage with America not just as a geographical space, but as a source of profound artistic inspiration. This melding of Irish rock with American roots music ultimately aimed to create a hybrid sound that honored the past while pushing their music forward.

And you can dream out loud

After touring the album Bono famously said circa December 30-31, 1989 "I was explaining to people the other night, but I might've got it a bit wrong – this is just the end of something for U2. And that's what we're playing these concerts – and we're throwing a party for ourselves and you. It's no big deal, it's just – we have to go away and ... and dream it all up again…

And they went and bloody come up with 1991's Achtung Baby...

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'All I want is you' song lyrics and meaning by U2

A classic track from the U2 album that a lot of people disliked following the massive popularity of The Joshua Tree.

"All I Want Is You" by U2, from their Rattle and Hum album, is a deeply emotional song that explores the complexities of love, longing, and commitment. At its core, the lyrics reflect a yearning for unconditional love, but they also reveal a tension between desire and the limitations of human relationships. 

The narrator is expressing a longing for his partner, asserting that despite all the material things or grand gestures that might be offered, what truly matters is the presence and connection of the person they love.

The video of the song is almost as famous as the song itself. It tells the tragic story of a dwarf (played by Paolo Risi) who falls in love with a trapeze artist (played by Paola Rinaldi), one of whom apparently dies towards the end. 

While there is disagreement amongst fans about exactly who has died and what that means, The Edge was quoted as saying it is the trapeze artist who dies.

"All I Want Is You" song lyrics by U2 from Rattle and Hum.

You say you want diamonds on a ring of gold
You say you want your story to remain untold
But all the promises we make from the cradle to the grave
When all I want is you

You say you'll give me a highway with no one on it
Treasure just to look upon it
All the riches in the night
You say you'll give me eyes in a moon of blindness
A river in a time of dryness
A harbour in the tempest
But all the promises we make from the cradle to the grave
When all I want is you

You say you want your love to work out right
To last with me through the night
You say you want diamonds on a ring of gold
Your story to remain untold
Your love not to grow cold
All the promises we break from the cradle to the grave
When all I want is you

You
All I want is you
All I want is you
All I want is you

-

The song's lyrics, written by lead vocalist Bono, weave a complex tapestry of themes including love, desire, obsession, and the nature of commitment, all set against a backdrop of somber introspection.

The title itself, "All I Want is You," serves as a recurring refrain throughout the song, emphasizing a singular, overwhelming desire. This phrase encapsulates the intense focus of the song's narrative—a deep, all-consuming love. However, as the lyrics unfold, it becomes evident that this declaration is layered with complexities and ambiguities.

One of the central themes of the song is the idea of unrequited or difficult love. The lyrics often touch on the notion of wanting something—or someone—that remains just out of reach or is not reciprocated in the way the speaker desires. This sense of longing is captured in lines like, "You say you want diamonds on a ring of gold / You say you want your story to remain untold." These lines hint at a disconnect between the speaker's desires and the object of their affection's aspirations or expectations.

Another significant theme in "All I Want is You" is the exploration of the nature of desire and obsession. The song delves into how love can sometimes blur into obsession, where the object of affection becomes everything, overshadowing all else. This is particularly evident in the way the song's simple yet profound chorus contrasts with verses that speak of more material desires—diamonds, riches, fame—only to return to the refrain that declares none of these are wanted, only the person themselves.

The song also touches on the idea of sacrifice and the cost of love. The lyrics suggest that true commitment might require giving up other dreams or desires, as illustrated by lines like, "You say you'll give me eyes in a moon of blindness / A river in a time of dryness." These metaphors speak to the transformative power of love, suggesting that it can provide solace and fulfillment in ways that material gains cannot.

Check out Angel of Harlem, an ode to Billy Holiday, also from the Rattle and Hum album.

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"Bullet The Blue Sky" (live from Tempe) Lyrics U2

Bullet the Blue Sky has become a must play U2 song at every concert. It was originally on The Joshua Tree album and then was featured in a live version on Rattle and Hum album.

During the Joshua Tree Tour in the late 80s, Bono would frequently grab a large spotlight and shine into peoples' faces in the audience, performances during which he also made numerous political references to figures such as Ronald Reagan and Jerry Falwell. U2's following album, Rattle and Hum had a cover of this light shining theatre. 

Rattle and Hum featured a performance of this song, with a pre-recorded intro of Jimi Hendrix's version of "The Star-Spangled Banner". 

On the Zoo TV Tour, the song was used to warn about Nazism; on the Elevation Tour, the lyrics became an indictment against handgun violence, illustrated by references to John Lennon's assassination and an ironic intro video clip featuring Charlton Heston, who was at that time the leader of the National Rifle Association. 

On the Vertigo Tour, it was about religious violence and the final lyrics were replaced by a snippet of "The Hands That Built America".




Bullet the Blue Sky Lyrics:


In the howling wind comes a stinging rain
See them driving nails into souls in the tree of pain
From the firefly, a red orange glow
I see the face of fear running scared in the valley below

The sky
The sky
Bullet the blue sky
Bullet the blue sky
Bullet the blue sky
Bullet the blue sky

In the locust wind comes a rattle and hum
Jacob wrestled the angel and the angel was overcome
You plant a demon seed, you raise a flower of fire
See them burning crosses, see the flames, higher and higher

The sky
The sky
Bullet the blue sky
Bullet the blue sky
Bullet the blue sky
Bullet the blue sky

Yeah, alright, hold you
See, this guy comes up to me
His face red like a rose on a thorn bush
Like all the colours of a royal flush
And he's peeling off those dollar bills
Slapping them down
One hundred, two hundred
And I can see the fighter planes
I can see the fighter planes
Across the mud huts where the children sleep
Across the valleys and the quiet city streets
We take the staircase to the first floor
We take the key and slowly unlock the door
A man breathes into a saxophone
Through the walls we hear the city groan
Outside it's America
Outside it's America

Spoken Bono part:

So I'm back in my hotel room
With John Coltrane and a love supreme
And in the next room I hear a woman scream out
Her lover's turning off, turning on the television
And I can't tell the difference between ABC News, Hillstreet Blues
And a preacher on the Old Time Gospel Hour
Stealing money from the sick and the old
Well, the God I believe in isn't short of cash, mister
I feel a long way from the hills of San Salvador
Where the sky is ripped open
And the rain pours through a gaping wound
Pelting the women and children
Pelting the women and children
Run
Run in to the arms of America

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U2's "When Love Comes To Town" song lyrics

“When Love Comes to Town,” a collaboration between U2 and B.B. King, captures the tumultuous intersection of love and vulnerability through a powerful blend of rock and blues. 

The lyrics evoke a sense of yearning, portraying love as an unpredictable force that can sweep one off their feet, bringing both joy and chaos. The imagery of love arriving like a storm emphasizes its transformative power, while the call-and-response dynamic reflects a deep emotional dialogue between the heart and soul. 

The mention of salvation suggests that love has the potential to redeem and uplift, yet the lingering tone of uncertainty hints at the risks that accompany such profound emotional investment. 

The collaboration between U2 and B.B. King on "When Love Comes to Town" was a result of Bono's deep admiration for King's influential blues style. 

Bono, inspired by King’s emotive storytelling through music, sought to merge U2's rock sound with King's iconic guitar work during the recording sessions for U2's 1988 album Rattle and Hum. This vision led to King being invited to co-write the song, which not only showcased their mutual respect but also bridged the gap between rock and blues genres. 

U2's When Love Comes to Town Lyrics

I was a sailor, I was lost at sea

I was under the waves before love rescued me

I was a fighter, I could turn on a thread

Now I stand accused of the things I've said

When love comes to town I'm gonna jump that train

When love comes to town I'm gonna catch that flame

Maybe I was wrong to ever let you down

But I did what I did before love came to town

Used to make love under a red sunset

I was making promises I was soon to forget

She was pale as the lace of her wedding gown

But I left her standing before love came to town

I ran into a juke joint when I heard a guitar scream

The notes were turning blue, I was dazing in a dream

As the music played I saw my life turn around

That was the day before love came to town

When love comes to town I'm gonna jump that train

When love comes to town I'm gonna catch that flame

Maybe I was wrong to ever let you down

But I did what I did before love came to town

When love comes to town I'm gonna jump that train

When love comes to town I'm gonna catch that flame

Maybe I was wrong to ever let you down

But I did what I did before love came to town

When I woke up I was sleeping on the street

I felt the world was dancing and I was dirt beneath their feet

When I looked up I saw the Devil looking down

But my Lord he played the guitar the day love came to town

I was there when they crucified my Lord

I held the scabbard when the soldier drew his sword

I threw the dice when they pierced his side

But I've seen love conquer the great divide
When love comes to town I'm gonna catch that train
When love comes to town I'm gonna catch that flame
Maybe I was wrong to ever let you down
But I did what I did before love came to town.

-

The song is one of U2's classic collaborations with another artist, the other being their effort with Johnny Cash singing on The Wanderer from the Zooropa album.

Check out the lyrics to Heartland or Hawkmoon 269, also from Rattle and Hum. And don't forget the big hits of the blues ode that is Angel Of Harlem and the lovestruck doom of All I Want Is You.

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'Love Rescue Me' song lyrics by U2

In "Love Rescue Me," a poignant track from U2's Rattle and Hum, Bono explores themes of desperation, longing, and the search for salvation through love. 

The lyrics evoke a sense of vulnerability, as the narrator cries out for emotional rescue amid life's turmoil. 

The repeated plea for love to intervene reflects a deep yearning for connection in a world filled with chaos and uncertainty. 

This desperate appeal underscores the belief that love possesses the power to provide solace and clarity in moments of despair, highlighting the intrinsic human need for compassion and support.

Bono also weaves a spiritual dimension into the song, suggesting that love transcends the mundane and offers a pathway to redemption. The imagery employed throughout the lyrics hints at a quest for divine intervention, with love portrayed as a force capable of overcoming darkness. 

This intertwining of love and spirituality resonates with listeners, inviting them to reflect on their own experiences of love as both a grounding presence and a means of transcendence. 

By addressing these multifaceted aspects of love, Bono crafts a narrative that is both personal and universal, emphasizing its role as a transformative force capable of healing and restoration.'

'Love Rescue Me' song lyrics by U2

Love rescue me
Come forth and speak to me
Raise me up and don't let me fall
No man is my enemy
My own hands imprison me
Love rescue me

Many strangers have I met
On the road to my regret
Many lost who seek to find themselves in me
They ask me to reveal
The very thoughts they would conceal
Love rescue me

And the sun in the sky makes a shadow of you and I
Stretching out as the sun sinks in the sea
I'm here without a name in the palace of my shame
Love rescue me

In the cold mirror of a glass
I see my reflection pass
I see the dark shades of what I used to be
I see the purple of her eyes
The scarlet of my lies
Love rescue me

And the sun in the sky makes a shadow of you and I
Stretching out as the sun sinks in the sea
I'm hanging on by my thumbs
I'm ready for whatever comes
Love rescue me

Yea though I walk through the valley of the shadow
Yet I will fear no evil
I have cursed they rod and staff
They no longer comfort me
Love rescue me

I've conquered my past
The future is here at last
I stand at the entrance
To a new world I can see
The ruins to the right of me
Will soon have lost sight of me
Love rescue me

-

A live version was released on the "Angel of Harlem" single as a B-side.

The Bob Dylan Connection

"Love Rescue Me" is a notable collaboration between U2 and the iconic Bob Dylan, featuring his distinctive vocals alongside Bono's passionate lyricism. 

This partnership merges Bono's emotive exploration of love and desperation with Dylan's "ultra cranky" persona, adding an edge that enhances the song's themes of yearning and salvation. Dylan's signature raspy timbre and profound storytelling elevate the track, creating a haunting atmosphere that resonates deeply with listeners.

The connection to Dylan is further made on Rattle and Hum where U2 cover All Along the Watchtower

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"Angel of Harlem" song lyrics by U2

"Angel of Harlem," featured on U2's 1988 album Rattle and Hum, is a vibrant tribute to the rich cultural tapestry of Harlem, New York City, and its profound influence on music and society. 

The song is imbued with a sense of nostalgia and reverence, drawing inspiration from the vibrant history of African American music, particularly jazz and rhythm and blues. 

Lyrically, Bono pays homage to notable figures and locales that have defined Harlem's artistic legacy, reflecting the band’s desire to connect their Irish roots to the broader narrative of American music. This cross-cultural dialogue is particularly poignant, as it highlights the transformative power of music to bridge divides and celebrate shared humanity.

Throughout the song, U2 includes specific references to iconic places and figures that are synonymous with Harlem’s rich musical heritage. Names such as "Billie Holiday." evoke the legendary jazz singer whose haunting voice and poignant lyrics left an indelible mark on American music, Holiday is thus the named angel.

The mention of "John Coltrane" and his A Love Supreme further cements this connection, as the revered saxophonist not only transformed jazz but also exemplified the spirit of creativity that Harlem represents.

The lyrical basis of the song is to acknowledge New York City-area landmarks, including JFK airport, WBLS radio and Harlem.

It was released with two different B-sides; one was an original U2 song called "A Room at the Heartbreak Hotel", while the other was a live version of Rattle and Hum's "Love Rescue Me."

The lyrical basis of the song is to acknowledge New York City-area landmarks, including JFK airport, WBLS radio and Harlem.

The Birdland club and Miles Davis also get a shout out.

"Angel of Harlem" song lyrics by U2

It was a cold and wet December day
When we touched the ground at JFK
Snow was melting on the ground
On BLS I heard the sound of an angel
New York, like a Christmas tree
Tonight this city belongs to me, angel

Soul love, this love won't let me go
So long Angel of Harlem

Birdland on fifty-three
The street sounds like a symphony
We got John Coltrane and a love supreme
Miles, and she's got to be an angel
Lady Day got diamond eyes
She sees the truth behind the lies, angel

Soul love, this love won't let me go
So long Angel of Harlem
Angel of Harlem

She says it's heart, heart and soul
Yeah, yeah
Yeah, yeah

Blue light on the avenue
God knows they got to you
An empty glass, the lady sings
Eyes swollen like a bee sting
Blinded, you lost your way
Through the side streets and the alleyway
Like a star exploding in the night
Falling to the city in broad daylight
An angel in Devil's shoes
Salvation in the blues
You never looked like an angel
Yeah yeah, Angel of Harlem

Angel, Angel of Harlem
Angel, Angel of Harlem
Angel, Angel of Harlem
Angel, Angel of Harlem
Oh yeah, it's alright
It's alright

-

While "Angel of Harlem" beautifully encapsulates the essence of Harlem's musical heritage, but its somewhat idealized portrayal risks overshadowing the complex realities of the neighborhood's history and social challenges...

Check out the lyrics to All I Want Is You, Helter Skelter and Van Diemen's Land, all songs from Rattle and Hum.

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"Silver And Gold" song lyrics by U2

Silver and Gold," a standout track from U2's Rattle and Hum, was crafted during a period marked by intense political and social reflection, specifically in response to the apartheid regime in South Africa. The song's genesis can be traced back to a session in which U2 collaborated with Brian Eno, who produced the album. 

The band initially began experimenting with a loose structure, drawing on a raw, bluesy sound that was both urgent and emotive.

The lyrics of "Silver and Gold" were inspired by Bono's profound outrage at the injustices occurring in South Africa, particularly the systemic racism and oppression faced by the Black population. The song serves as a powerful commentary on the moral responsibility of artists and individuals to engage with political issues and stand against injustice.

The title itself references the material wealth that often perpetuates inequality, with Bono highlighting how money and power can overshadow human rights.

 

"Silver And Gold" lyrics by U2

In the shithouse a shotgun
Praying hands hold me down
Only the hunter was hunted
In this tin can town
Tin can town

No stars in the black night
Looks like the sky fall down
No sun in the daylight
Looks like it's chained to the ground
Chained to the ground

The warden said the exit is sold
If you want a way out
Silver and gold

Broken back to the ceiling
Broken nose to the floor
I scream at the silence, it's crawling
It crawls under the door
There's a rope around my neck
And there's a trigger in a gun
Jesus say something
I am someone, I am someone
I am someone

Captains and kings in the ships hold
They came to collect
Silver and gold
Silver and gold

See the coming and the going
Seen them captains and the kings
See them navy blue uniforms
See them bright and shiny things
Bright, shiny things, yeah

The temperature is rising
The fever white hot
Mister, I ain't got nothing
But it's more than you got
Chains no longer bind me
Not the shackles at my feet
Outside are the prisoners
Inside the free
Set them free
Set them free

A prize fighter in a corner is told
Hit where it hurts
Silver and gold
Silver and gold

Yeah, silver and gold.
This song was written in a hotel room in New York City
Right about the time a friend of ours, Little Steven,
Was putting together a record of artists against apartheid
It's a song written about a man in a shantytown outside of Johannesburg
A man who's sick of looking down the barrel of white South Africa
A man who is at the point where he is ready to take up arms against his oppressor
A man who has lost faith in the peace makers of the west
While they argue and while they fail to support a man like Bishop Tutu
And his request for economic sanctions against South Africa
Am I bugging you
Don't mean to bug ya
Ok Edge, play the blues

Check out Ordinary Love, a song by U2 that was inspired by Nelson Mandela.

The Little Steven Connection

Little Steven, also known as Steven Van Zandt, is prominently featured in U2's "Silver and Gold" through his contribution as a guitarist and backing vocalist. His involvement in the track adds a significant layer of depth and texture to the song’s arrangement. Little Steven, who is well-known for his work with Bruce Springsteen as a member of the E Street Band, brought his distinct rock sensibility and experience in blending rock with socially conscious themes, aligning perfectly with U2’s message in this piece.

During the recording sessions, Van Zandt infused "Silver and Gold" with a raw, gritty guitar riff and soulful backing vocals that enhanced the urgency and emotional weight of the song. His signature guitar style complements The Edge's sound, creating a dynamic interplay that underscores the song’s themes of social justice and the fight against apartheid.

Moreover, Little Steven's own commitment to political activism and his involvement in the anti-apartheid movement at the time made him a fitting collaborator for U2 on this track. His presence not only reinforces the song's message but also highlights the interconnectedness of artists in the fight for human rights, creating a powerful collective voice for change. Through this collaboration, "Silver and Gold" became not just a song but a rallying cry against oppression, showcasing the importance of solidarity among musicians in the pursuit of social justice.

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Lyrics to the live version of U2's Pride

"Pride (In The Name Of Love)" lyrics U2 - live version from Denver, USA. 

Pride was originally on The Unforgettable Fire Album.

Chrissie Hyde of The Pretenders sang backing vocals on Pride. As she was married to Jim Kerr of Simple Minds at the time, she is credited as "Christine Kerr".

Pride's lyrical theme was originally intended to be about US President Ronald Reagan's pride in America's military power but Bono was ultimately influenced by Stephen B. Oates' book Let The Trumpet Sound: A Life of Martin Luther King, Jr. and a biography of Malcolm X.

 

These readings caused Bono to ponder the different sides of the civil rights campaigns, the violent and the non-violent and so several of the songs on The Unforgettable Fire reflected these lyrical themes - E.g. MLK.

Pride (in the name of Love) Lyrics:

One man come in the name of love
One man come and go
One man come he to justify
One man to overthrow

In the name of love
What more in the name of love
In the name of love
What more in the name of love

One man caught on a barbed wire fence
One man he resist
One man washed up on an empty beach
One man betrayed with a kiss

In the name of love
What more in the name of love
In the name of love
What more in the name of love

Early morning, April four
A shot rings out in the Memphis sky
Free at last, they took your life
The could not take your pride

In the name of love
What more in the name of love
In the name of love
What more in the name of love

For the Rev. Martin Luther King, sing

In the name of love
What more in the name of love
In the name of love
What more in the name of love
In the name of love

Check out the lyrics to the recently 'rediscovered' Disappearing Act.

Bono would amend the 'early morning' line of the song for it's revamp as part of the Songs of Surrender album. 

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"Freedom For My People" Lyrics U2 / Sterling Magee and Adam Gussow

"Freedom for My People" emerged as a poignant discovery during U2's exploration of Harlem, following a rehearsal at a local church. As the band wandered through the neighborhood, they encountered the blues duo Satan and Adam, comprised of Sterling Magee and Adam Gussow, performing in the street.

The raw energy and heartfelt expression of their music captured U2's attention, leading to an impromptu connection that showcased the vibrant spirit of the local culture. Among the duo's repertoire was the original composition "Freedom for My People," a song that resonated deeply with U2's themes of social justice and liberation.

"Freedom For My People" lyrics by Sterling Magee and Adam Gussow.

Any type of brother
Every type of mother
I need some freedom
Freedom for my people
I want some freedom
For my people
Freedom for those people
Freedom for my people

-

A 40-second clip of this performance was included in both the Rattle and Hum film and the accompanying album, highlighting U2’s commitment to honoring the roots of American music while emphasizing the struggles for freedom and equality. 

The inclusion of "Freedom for My People" not only enriches the documentary narrative but also underscores the band’s appreciation for the blues tradition and its profound connection to their own musical identity. This moment encapsulates the serendipitous nature of artistic collaboration, blending U2's rock sensibilities with the soulful expressions of the Harlem street musicians, ultimately enhancing the overall message of the Rattle and Hum project.

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I still haven't found what I'm Looking For Rattle and Hum Lyrics

"I Still Haven't Found What I'm Looking For" Lyrics from Rattle and Hum

Recorded live from New York, the song features gospel vocals by the New Voices of Freedom Choir.

I have climbed the highest mountain
I have run through the fields
Only to be with you
Only to be with you

I have run, I have crawled
I have scaled these city walls
These city walls
Only to be with you

But I still haven't found what I'm looking for
But I still haven't found what I'm looking for

I have kissed honey lips
Felt the healing in her fingertips
It burned like fire
Burning hot like fire
This burning desire
Burning with desire
I have spoke with the tongue of angels
I have held the hand of a devil
It was warm in the night
In the night
I was cold as a stone
Cold as stone

But I still haven't found what I'm looking for
But I still haven't found what I'm looking for

He will lift you higher and higher
He will pick you up when you fall
He'll be the shelter from the storm

I believe in the kingdom come
Then all the colors will bleed into one
Bleed into one
Well, yes, I'm still running

You broke the bonds and you
Broke the bonds
Loosed the chains
Loosed the chains
Carried the cross
Carried the cross
Of my shame
Of my shame
Of my shame
You know I believe it
I believe it, I believe

But I still haven't found what I'm looking for
But I still haven't found what I'm looking for

I have climbed
I have climbed
The highest mountain
The highest mountain
I have run
I have run
Through the fields
Through the fields
Only to be with you
Only to be with you
Only to be with you
Just to be with you

I have run
I have run
I have crawled
I have crawled
I have scaled
I have scaled
These city walls
City walls
These city walls
Only to be with you
Only to be with you
Just to be with you

But I still haven't found what I'm looking for
But I still haven't found what I'm looking for
But I still haven't found what I'm looking for
But I still haven't found what I'm looking for
But I still haven't found what I'm looking for
Haven't found, searching, looking
But I still haven't found what I'm looking for
Looking, yes I am
Voices of Freedom

I believe in the kingdom come
All the colors bleed into one
Yeah, I believe it
I believe it
You know I do

But I still haven't found what I'm looking for
Searching, looking higher
But I still haven't found what I'm looking for
You got to keep searching around
But I still haven't found what I'm looking for
Looking for, keep on searching 'til I find it
But I still haven't found what I'm looking for
I'm searching high and low, looking, I'm looking

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'All Along the Watchtower' song lyrics by U2

“All Along the Watchtower” is a captivating cover featured on U2's Rattle and Hum album and in the accompanying film, showcasing the band's deep admiration for the original songwriter, Bob Dylan. This track is emblematic of U2's ability to reinterpret classic songs, breathing new life into Dylan's poignant lyrics and haunting melodies. 

The choice to include “All Along the Watchtower” in this project reflects U2’s desire to connect with the themes of existential struggle and social commentary prevalent in Dylan's work, which resonate with their own artistic vision. T

he song’s inclusion not only serves as a tribute to Dylan’s influence on U2 but also aligns with the broader narrative of Rattle and Hum, which explores the intersection of rock music, spirituality, and the human experience. 

Through their powerful rendition, U2 amplifies the song’s urgency and emotional weight, transforming it into a vehicle for their own exploration of hope and redemption amidst chaos. 

The live performance captured in the film showcases the band’s dynamic stage presence and their ability to evoke a collective emotional response, reinforcing the timeless relevance of the song in the context of both their musical journey and the cultural landscape of the late 1980s.

All Along the Watchtower Lyrics by U2

There must be some way out of here
Said the joker to the thief
There's too much confusion here
I can't get no relief
Businessmen, they drink my wine
Plowmen dig my earth
None of them know along the line
What any of this is worth

No reason to get excited
The thief, he kindly spoke
There are many among us
Who think that life is but a joke
You and I, we've been through that
That is not our fate
Let us not talk falsely now
Because the hour is getting late

All along the watchtower
Princes kept the view
While horsemen came and went
Barefoot servants, too

Yeah
Rock'n'roll stops the traffic

All I got is a red guitar
Three chords and the truth
All I got is a red guitar
The rest is up to you

There's no reason to get excited
The thief, he kindly spoke
There are some among us here
Who say that life is just a joke
You and I, we've been through that
And that is not our fate, at least today
So let us not talk falsely now
Because the hour is getting late, late
Yeah, yeah

-

Several U2 songs share thematic elements with "All Along the Watchtower," particularly in their exploration of existential struggle, social commentary, and the quest for meaning. 

Notably, "One" delves into the complexities of unity and division, emphasizing the need for connection amid chaos and discord. Similarly, "Where the Streets Have No Name" reflects on themes of identity and the yearning for a world free from division and prejudice. 

"Running to Stand Still" addresses the struggles of addiction and despair, illuminating the human condition’s darker aspects while also hinting at hope and redemption. 

Additionally, "Yahweh" confronts spiritual questions and the search for understanding within the tumult of life, echoing the urgency and introspective qualities present in "All Along the Watchtower.

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"Hawkmoon 269" Lyrics U2

"Hawkmoon 269" is a compelling track from U2's 1988 album Rattle and Hum, steeped in themes of love, loss, and the enduring human spirit. The song draws its inspiration from the city of New Orleans and a wide array of literary influences, including the works of the poet William Blake. The title itself is a nod to the mystical and fantastical elements often present in Blake's poetry, evoking imagery of transcendence and the quest for meaning in the face of despair. 

Lyrically crafted by Bono, the song reflects the tension between the yearning for connection and the pain of separation, a duality that resonates deeply within the human experience. The line "In the desert of the heart" symbolizes emotional desolation, while the persistent refrain of "Hawkmoon" serves as a metaphor for hope and resilience amid turmoil. 

Bono said the song was titled in part as a tribute to writer Sam Shepard, who had released a book entitled Hawk Moon.

Hawkmoon 269 Lyrics by U2:

Like a desert needs rain
Like a town needs a name
I need your love

Like a drifter needs a room
Hawkmoon
I need your love
I need your love

Like a rhythm unbroken
Like drums in the night
Like sweet soul music
Like sunlight
I need your love
I need your love

Like coming home and you don't know where you've been
Like black coffee
Like nicotine
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love

When the night has no end and the day yet to begin
As the room spins around I need your love
I need your love

Like a Phoenix rising needs a holy tree
Like the sweet revenge of a bitter enemy
I need your love
I need your love

Like the heat needs the sun
Like honey on her tongue
Like the muzzle of a gun
Like oxygen

I need your love
I need your love
I need your love
I need your love
I need your love
I need your love

When the night has no end and the day yet to begin
As the room spins around I need your love

I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love

Like thunder needs rain
Like the preacher needs pain
Like tongues of flame
Like a sweet stain
Like a needle needs a vein
Like someone to blame
Like a thought unchained
Like a runaway train
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love
I need your love

Like faith needs a doubt
Heat of love in the heart of it
Like a freeway out
Heat of love in the heart of it
I need your love
Heat of love in the heart of it
Like powder needs a spark
Heat of love in the heart of it
Like lies need the dark
Heat of love in the heart of it
I need your love
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love in the heart of it
Heat of love


The Edge's atmospheric guitar work enhances this emotional landscape, weaving a rich tapestry of sound that envelops the listener and underscores the lyrical depth. The track's rhythmic cadence and soaring melodies encapsulate the struggle of navigating the complexities of relationships and the search for belonging. Furthermore, "Hawkmoon 269" embodies U2's broader exploration of spiritual themes, reflecting a longing for redemption and the desire to rise above the challenges of life. 

By channeling these themes through powerful imagery and evocative instrumentation, U2 crafts a poignant anthem that invites listeners to contemplate their own journeys of love and loss, making "Hawkmoon 269" a deeply resonant piece in their discography.

Is it true U2 did 269 takes of the song?

U2's "Hawkmoon 269" underwent an extensive recording process, requiring a remarkable 269 takes before the band was satisfied with the final version. This extraordinary effort highlights U2's unwavering commitment to their craft and their relentless pursuit of perfection, particularly during the sessions for Rattle and Hum. 

The song's intricate layers and profound emotional resonance demanded meticulous attention, resulting in a recording that beautifully captures its lyrical intensity and the atmospheric sound characteristic of U2's work during that era. 

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"Desire" song lyrics by U2 from Rattle and Hum

U2's "Desire" stands as a powerful exploration of the multifaceted nature of longing, wrapped in a rhythmic pulse that perfectly complements its thematic weight. The track, part of the Rattle and Hum album released in 1988, is imbued with an energy that captures both the fervor of passion and the complexities that come with it.

Bono, U2's charismatic frontman, approaches desire as both a personal and collective experience. He unpacks the duality of longing—a force that can elevate and empower while simultaneously entangling individuals in complexity and conflict. 

This theme resonates deeply within the context of human relationships, where desire often intersects with love, loss, and identity.

One of the key insights in the song is the idea that desire is not merely an instinctual urge but an active choice. 

It requires engagement, reflection, and often a reckoning with societal expectations. The song conveys that desire is not solely about physical attraction but encompasses a deeper yearning for connection and understanding. 

"Desire" song lyrics by U2 from Rattle and Hum

Yeah!

Lover, I'm on the street
Gonna go where the bright lights
And the big city meet
With a red guitar on fire
Desire

She's a candle burning in my room
Yeah I'm like the needle, needle and spoon
Over the counter with a shotgun
Pretty soon everybody got one
And the fever when I'm beside her
Desire

And the fever getting higher
Desire, desire
Burning, burning

She's the dollars
She's my protection
Yeah she's a promise
In the year of election
Oh sister, I can't let you go
Like a preacher stealing hearts
In a traveling show
For love or money, money, money
Money, money, money, money, money
Money, money, money

And the fever, getting higher
Desire, desire, desire, desire
Desire, desire

-

Desire was U2's first UK number one. This was the big single off the Rattle and Hum album, the other singles being All I Want is You and Love Comes to Town of which each proved to be classic U2 songs. 'Hallelujah Here She Comes' was the b-side.

This was the U2 era when the U2 backlash began. It didn't really matter as the band followed up with the classic Achtung Baby album which cemented the band's place in Rock and Roll history.

The Bo Diddley Connection to Desire

The connection between The Edge's guitar work in U2's "Desire" and Bo Diddley's influence lies in the rhythmic and stylistic homage that permeates the song. The driving pulse of "Desire" mirrors Diddley’s iconic "Bo Diddley beat," a syncopated rhythm that creates a hypnotic groove, while The Edge's choppy, staccato riffs and gritty, overdriven tone evoke the raw energy of Diddley's blues-infused rock. 

By prioritizing rhythm over melody, The Edge channels the essence of rock and roll that Diddley epitomized, crafting a relentless energy that complements Bono’s intense exploration of longing. 

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"Van Diemen's Land" song lyrics by U2

“Van Diemen’s Land,” from Rattle and Hum (1988), is a poignant and haunting ballad written and sung by The Edge. It stands out in U2’s catalog for its sparse arrangement, introspective tone, and historical focus. The song offers a deeply personal yet universal meditation on oppression, exile, and the enduring struggle for justice, reflecting U2’s engagement with themes of historical memory and political resistance.

The song, featured on U2's Rattle and Hum album, showcases the distinctive lyrical prowess of The Edge, who not only penned the words but also delivered the poignant vocals.

Van Diemen’s Land, now known as Tasmania, was a British penal colony during the 19th century, infamous for its harsh conditions and the forced transportation of Irish political prisoners. The song’s lyrics are a tribute to John Boyle O'Reilly, an Irish nationalist and Fenian poet who was transported to Van Diemen’s Land in 1867 for his involvement with the Fenian Brotherhood, a group fighting for Irish independence. O’Reilly’s eventual escape and subsequent advocacy for Irish and Aboriginal rights make him a powerful symbol of resilience against colonial oppression.

The opening lines, “Hold me now, oh hold me now / Till this hour has gone around,” capture the yearning and despair of exile, as well as the sense of defiance that permeates the song. The narrative voice reflects not only O’Reilly’s plight but the broader experience of those marginalized and displaced by imperial systems.

Van Diemen’s Land” explores exile as both a physical and emotional state. The recurring plea for solidarity—“Hold me now”—underscores the loneliness of displacement and the need for connection amidst suffering. This resonates on a universal level, extending beyond the specific historical context to touch on the plight of refugees, prisoners, and the dispossessed throughout history.

The lyrics also invoke the timeless struggle against injustice, with the line “Still the gunman rules and the widow’s weep” pointing to the ongoing cycles of violence and oppression. By situating this within the framework of Irish history, U2 highlights the enduring relevance of such struggles, making a subtle yet potent political statement.

U2's "Van Diemen's Land" lyrics from the Rattle and Hum album

Hold me now, hold me now
Till this hour has gone around
And I'm gone on the rising tide
For to face Van Diemen's Land

It's a bitter pill I swallow here
To be rent from one so dear
We fought for justice and not for gain
But the magistrate sent me away

Now kings will rule and the poor will toil
And tear their hands as the tear the soil
But a day will come in the dawning age
When an honest man sees an honest wage

Hold me now, hold me now
Till this hour has gone around
And I'm gone on the rising tide
For to face Van Diemen's Land

Still the gunman rules and the widows pay
A scarlet coat now a black beret
They thought that that blood and sacrifice
Could out of death bring forth a life

-

“Van Diemen’s Land” reflects the duality of Rattle and Hum as both a homage to American roots music and a continuation of U2’s Irish identity. While much of the album explores American cultural and musical traditions, this track reaffirms the band’s connection to Ireland, grounding the project in their own historical and political context. 

Rattle and Hum is a classic U2 album and featured the hits When Love Comes To Town the blues ode that is Angel Of Harlem and the lovestruck doom of All I Want Is You.

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"Helter Skelter" Lyrics by U2 - Cover Version of the Beatles

Bono’s famous opening statement, "This is a song Charles Manson stole from the Beatles. We're stealing it back," made during U2's cover of "Helter Skelter," encapsulates a complex interplay of cultural references, musical heritage, and the reclamation of art. 

The original Beatles song, released in 1968 on the White Album, is often seen as one of the pioneering tracks in the heavy metal genre, characterized by its raw energy and chaotic structure. However, it also gained a notorious reputation due to its association with Charles Manson, who infamously interpreted the song as a rallying cry for his violent cult, believing it foretold a race war.

By referencing Manson, Bono confronts the dark appropriation of the song, suggesting that its original message of rebellion and discontent had been co-opted for sinister purposes. U2's cover, particularly notable for its aggressive instrumentation and impassioned vocal delivery, seeks to reclaim the track's essence as a powerful anthem of liberation and protest against oppression

Helter Skelter Lyrics by U2

When you get to the bottom
You go back to the top of the slide
And you stop and you turn
And you go for a ride
Then you get to the bottom
Then you see me again

Do you, don't you want me to love you
I'm coming down fast, I'm right here above you
Tell me, tell me, tell me the answer
I ain't no lover but you ain't no dancer

Helter skelter
Helter skelter
Helter skelter

Do you, don't you want me to make you
I'm coming down fast now don't let me break you
Tell me, tell me, tell me the answer
You ain't no lover but you ain't no dancer

Helter skelter
Helter skelter
Helter skelter

When you get to the bottom
You go back to the top of the slide
And you turn and you stop
And you go for a ride
Then you get to the bottom
Then you see me again

Do you, don't you want me to love you
I'm coming down fast I'm right here above you
Tell me, tell me, tell me the answer
Ain't no lover but you ain't no dancer

Helter skelter
Helter skelter
Helter skelter

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"Bullet The Blue Sky" song lyrics by U2

In the 1980s, El Salvador was embroiled in a brutal civil war between the U.S.-backed Salvadoran government and leftist guerrilla groups. The conflict was marked by widespread human rights abuses, including massacres, torture, and the displacement of civilians. The United States, under the guise of fighting communism, provided military and financial support to the Salvadoran government. This interference often exacerbated the violence and suffering of the civilian population. By the time U2 wrote "Bullet the Blue Sky," the atrocities committed in El Salvador were widely reported, sparking protests and calls for a reevaluation of U.S. policies in the region.

U2’s lyrics serve as a scathing commentary on American imperialism and the moral implications of foreign intervention. By depicting scenes of destruction and despair caused by American-supported forces, the song criticizes the idea that the U.S. is a benevolent force in international affairs. Instead, it questions the ethical responsibility of a nation that often prioritizes political interests over human rights.

Outside is America indeed...

"Bullet The Blue Sky" song lyrics by U2 from The Joshua Tree

 In the howling wind
Comes a stinging rain
See it driving nails
Into souls on the tree of pain
From the firefly a red orange glow
See the face of fear
Running scared in the valley below

The sky
The sky
Bullet the blue sky
Bullet the blue sky
Bullet the blue sky
Bullet the blue sky

In the locust wind
Comes a rattle and hum
Jacob wrestled the angel
And the angel was overcome
You plant a demon seed
You raise a flower of fire
See them burning crosses
See the flames, higher and higher

The sky
The sky
Bullet the blue sky
Bullet the blue sky
Bullet the blue sky
Bullet the blue sky

And this guy comes up to me
His face red like a rose on a thorn bush
Like all the colours of a royal flush
And he's peeling off those dollar bills
Slapping them down
One hundred, two hundred
And I can see those fighter planes
And I can see those fighter planes
Across the mud huts as the children sleep
Through the alleys of a quiet city street
We take the staircase to the first floor
We turn the key and slowly unlock the door
As a man breathes deep into saxophone
And through the walls we hear the city groan
Outside is America
Outside is America
America
See across the field
See the sky ripped open
See the rain coming through the gaping wound
Pelting the women and children who run into the arms of America

Bono went on to use the lyrical reference to bullets in the sky in U2's big hit, Vertigo.

The line "In the locust wind, comes a rattle and hum" was clearly the inspiration for the title of U2's follow up album to The Joshua Tree, Rattle and Hum.  Check out With or Without You and the classis, "Mothers of the Disappeared".

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