Taking its title from the classical Latin phrase lacrimae rerum found in Virgil's Aeneid, "The Tears of Things" suggests that the physical world itself holds a sorrow that touches the human spirit.

On a record defined by the sharp edges of political conflict and immediate protest, this track offers a moment of profound interior reflection.

The Tears of Things U2 song lyrics
The Cover Art

With cover art depicting Michelangelo’s Statue of David gazing out with heart-shaped pupils, the song suggests that even in the hardest of substances—stone, history, or the human heart—there is a fragility that demands to be seen.

Musically, the track leans heavily into the atmospheric textures of producer Jacknife Lee, who is credited with piano and keyboards on the arrangement alongside The Edge’s guitar. It serves as the philosophical soul of the collection, bridging the gap between the specific tragedies of the other tracks and the universal experience of grief. It is a standout moment on the Days of Ash EP, grounding the anger of the record in a deep, resonant empathy.

Lyrics

There’s no start to this story
And I can see no end
To young men hearing voices
Whisper in the wind
I woke up made of marble
A shepherd boy in shock
Michelangelo release me
From a single block
I’m David the giant killer
With heart-shaped eyes
I was naked as a soldier
Far from my mother’s cries and

The tears of things
The tears of things
Rising like a flood
The tears of things
The tears of things
I’d cry them if I could

Was it you, Lord, I was listening to?
You didn’t say much
You said ‘Let my fingers form you,
Be fashioned by my touch,
Be open to be broken
As every heart that sings,
No voice and drum can overcome
A symphony of strings’
You said ‘You’d make of me an instrument
For melody and word’
I wonder as things fall asunder
Was it really you I heard or?

The tears of things?
The tears of things
Songs made out of rain
The tears of things
The tears of things
Here we go again

Mussolini came to see me
A shadow by his side
Church bells ring, a vanishing
Then the vanishing denied
Six million voices silenced in just four years
The silent songs of Christendom
So loud everybody hears

Before the roar, before the blast
The stench and shame
There’s a howling, wailing sound
That screams your name
I’m David not Goliath, I was born in Bethlehem
And there is no us if there is no them
My eyes were burned from all I learned
There were things I can’t unsee
In this your holy war
There’s nothing holy here for me just

The tears of things
The tears of things
Rising like a flood
The tears of things
The tears of things
I’d cry them if I could

If you put a man into a cage and rattle it enough
A man becomes the kind of rage that cannot be locked up
No, it cannot be locked up
No, it cannot be locked up
Dear God you made us so you wouldn’t be alone
Every heart is exiled until a heart gets home
Don’t send us back to stone
Don’t send us back to stone

I was made for worship before I spoke I sang
Songs of grief, of disbelief
How a woman can love a man
The naked song, the sacred song
That every soldier fears
‘Cause when people go around talking to God
It always ends in tears

Yeah, the tears of things
The tears of things
Let the desert be unfrozen
The tears of things
The river sings
Who would choose to be chosen?

River, sea and mountain
Desert, dust and snow
Everybody is my people
Let my people go

Commentary & Meaning

Conceptually, "The Tears of Things" stands as one of the most ambitious narrative constructs in U2’s recent catalog. By structuring the song as an imagined dialogue between Michelangelo’s David and his Creator, Bono pulls focus from the macro scale of global conflict down to the agonizing vulnerability of the individual. David is presented not merely as a symbol of defiance, but as a "shepherd boy in shock"—a reluctant combatant stripped of his armor, questioning the divine voice that sculpted him for a fight. This framework draws heavily from the teachings of Franciscan friar Richard Rohr, whose writings on collective suffering and the spiritual necessity of confronting grief head-on have deeply influenced Bono’s worldview over the last decade.

The song’s lyrical journey through time—from biblical Bethlehem to the shadows of Mussolini and the atrocities of the Holocaust—argues that systemic violence is a cyclical trauma etched into the very stones of human history. When the lyrics reach the blistering realization that "there is no us if there is no them," the track shifts from a quiet lament into a furious theological indictment. Critics have praised the song as the philosophical cornerstone of the Days of Ash EP, noting how Jacknife Lee’s haunting piano arrangements create a necessary space for mourning amid the record's otherwise relentless urgency. It is a song that recognizes outrage is incomplete without compassion, insisting that the tears we shed are the only things keeping us from turning back to stone.

Up Next

Check out the lyrics to One Life At A Time, also from Days of Ash.