“Alex Descends into Hell for a Bottle of Milk / Korova 1” was originally composed as part of a planned musical adaptation of A Clockwork Orange, exploring the dark and violent world of Alex DeLarge.
The song's ominous Latin chant—Dies irae, dies illa, a reference to the medieval hymn "Dies Irae"—invokes themes of divine judgment and descent, echoing the brutality and moral chaos at the heart of Anthony Burgess’s dystopian vision.
The piece was ultimately released as the b-side to the 1991 single, The Fly, from the Achtung Baby and connects thematically to both A Clockwork Orange and Achtung Baby’s exploration of fractured identities, temptation, and moral ambivalence.
Like “The Fly”—which Bono described as a “phone call from hell” and features a protagonist reveling in and wrestling with moral corruption—“Alex Descends” delves into the descent of the soul, underscored by its dark, industrial soundscape.
Both songs take the listener through psychological spaces where moral boundaries are blurred, urging reflection on humanity’s darker impulses.
Achtung Baby as a whole was shaped by themes of transformation, desire, and guilt, set against a postmodern backdrop of fractured truths and masked personas. “Alex Descends” captures a similar spirit, using Latin liturgy and cinematic orchestration to reflect the perverse allure of violence and the existential void Alex inhabits.
"Alex Descends Into Hell For A Bottle Of Milk/Korova 1" Lyrics U2
Dies irae, dies illa
Dies irae, dies illa
Tuba mirum spargens sonum
Decet in inferno
Dies illa, dies illa
The English translation of the Latin lyrics:
A day of wrath, that day
A day of wrath, that day
The trumpet's wondrous call sounding abroad
He descended into hell
A day of wrath, that day