"Get On Your Boots" Song Lyrics by U2

Get On Your Boots was the lead single off No Line on the Horizon, perhaps an odd first single release, it grew on many listeners with a few listeners. It's kind of like a crazy cousin on Beautiful Day from the Achtung Baby side of the family. 

The lyrics are supposedly written from the perspective of a man writing to his first love as he relates how he is taking his family to a fairground in Nice, France at the beginning of the Iraq War. Bono also references the wider spectre of war and perhaps knowingly says he doesn't want to talk about war but saying that he actually is.

The lyrics pulse with a sense of immediacy, urging listeners to confront their realities and take a stand. The opening lines beckon an awakening, where the phrase “get on your boots” acts as both a literal and metaphorical summons—an invitation to rise from apathy and engage with the world, no matter how challenging it may be. The mention of a “bad faith” and references to the mundane, such as “the last of the outlaw” and the “darkness” that follows, alludes to a world grappling with moral and spiritual crises. 

As the song progresses, the lyrics pivot towards themes of community, love, and the importance of recognizing one’s inherent beauty. 

Lines like “You don’t know how beautiful you are” reinforce a sense of collective affirmation, urging listeners to appreciate their worth amid chaos and uncertainty. The interplay of whimsical imagery, such as “candy floss, ice cream,” contrasts with deeper reflections on societal struggles, highlighted by the acknowledgment of “wars between nations” and “growing up.” In this context, Bono articulates a yearning for connection, a desire to move beyond the superficial and engage with the profound. 

The repeated call to “let me in the sound” serves as both a plea for understanding and a metaphorical gateway to a shared experience, reinforcing the notion that through laughter and love, joy becomes an eternal pursuit. 

"Get On Your Boots" Song Lyrics by U2

The future needs a big kiss
Winds blow with a twist
Never seen a moon like this
Can you see it too

Night is falling everywhere
Rockets at the fun fair
Satan loves a bomb scare
But he won't scare you

Hey, sexy boots
Get on your boots, yeah

You free me from the dark dream
Candy floss, ice cream
All our kids are screaming
But the ghosts aren't real

Here's where we gotta be
Love and community
Laughter is eternity
If joy is real

You don't know how beautiful
You don't know how beautiful you are
You don't know and you don't get it, do you
No, you don't know how beautiful
You don't know
You don't know how beautiful you are

That's someone's stuff they're blowing up
We're into growing up
Women of the future
Hold the big revelations

I got a submarine
You got gasoline
I don't want to talk about
Wars between nations

Not right now
Hey sexy boots, yeah
No, no, no
Get on your boots, yeah
Not right now
Bossy boots

You don't know how beautiful
You don't know how beautiful you are
You don't know and you don't get it, do you
No, you don't know how beautiful
You don't know
You don't know how beautiful you are

Sexy boots
I don't want to talk about
The wars between the nations
Sexy boots, yeah

Let me in the sound
Let me in the sound
Let me in the sound, sound
Let me in the sound, sound
Let me in the sound

Let me in the sound
Let me in the sound, now
God, I'm going down
I don't wanna drown now
Meet me in the sound

Let me in the sound
Let me in the sound
Let me in the sound, sound
Let me in the sound, sound
Meet me in the sound

Get on your boots
Get on your boots
Get on your boots
Yeah hey hey
Get on your boots
Yeah hey hey
Get on your boots
Yeah hey hey
Get on your boots
Yeah hey hey

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When U2 released “Get On Your Boots” as the lead single from No Line on the Horizon, many critics and fans alike viewed it as an unconventional choice. The song’s frenetic energy and eclectic mix of whimsical imagery contrasted sharply with the more introspective and atmospheric tones that characterized much of U2's earlier work. T

Upon its release, the track received a mixed reception; while some praised its infectious beat and rallying call to action, others found it jarring and less cohesive than previous singles like “Beautiful Day” or “Vertigo.” Despite the divided opinions, the song managed to achieve commercial success, reaching the top ten in several countries and ultimately becoming a staple in U2's live performances. The dichotomy between its upbeat tempo and provocative lyrics encapsulated the band’s willingness to push boundaries, setting the stage for the varied responses that No Line on the Horizon would evoke.

Other songs from No Line on the Horizon that refer to the theatre of war include White as Snow and Cedars of Lebanon.

The refrain 'let me in the sound' is also referenced in 'Fez Being Born'.

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