Showing posts with label politics. Show all posts
Showing posts with label politics. Show all posts

10 U2 songs that reflect on American culture and politics

Sunday, October 13, 2024
U2 are no strangers to having a say on America, its people, and its politics. They are fairly big on political activism. In fact, making political commentary is almost second nature to Bono, if he's not singing about troubles in Ireland, he's trying to convince someone like George Bush Jnr to reduce the debt owed to America by third-world countries. 

He shares his views because he earnestly cares.

Most people don't.

U2's lyrical journey through the complexities of American politics and culture stands as a testament to their keen observational skills and deep empathy for global issues. 

Over the decades, U2's music has often served as a mirror, reflecting the diverse and dynamic facets of American life (refer Rattle and Hum and plenty of POP), from its lofty ideals and cultural vibrancy to its political controversies and societal challenges.

The band's engagement with American themes is deeply rooted in their own experiences and observations. From their early tours in the United States, U2 was captivated by the country's vast cultural landscape and its pivotal role on the world stage and U2 began to reflect this through its song. 

Bono wearing an American flag jacket
Outside is America
 

10 U2 songs that reflect on American culture and politics  


Songs like "Bullet the Blue Sky" and "Pride (In the Name of Love)" exemplify how U2's music delves into the heart of American political discourse, addressing issues from foreign policy to civil rights. These songs are not just performances; they are powerful statements that reflect the band's longstanding commitment to advocacy and activism. 

By integrating their observations of America into their music, U2 has created a body of work that resonates with listeners worldwide, offering insights not only into American culture and politics but also into the universal themes of justice, freedom, and human resilience.

Angel of Harlem


A song inspired by singer Billie Holiday, Bono was trying to throw the kitchen sink at this song, referencing all kinds of musical figures related to the city of New York - even a popular radio station was mentioned!

U2 appeared to be trying to 'get into' the blues on Rattle on Hum. This song was a clear step in that musical genre, and the inclusion of names from artists who helped shape it was an attempt to give it an air of authenticity.

America is, after all, the home of the blues.

A less cynical reader might simply see the lyrics of Angel of Harlem as a celebration of the city.

The Saints Are Coming


While not written by U2 or Green Day (it was a cover of The Skids song), The Saints Are Coming is a song both bands recorded together to deliver a blunt political message about the U.S. Government's response to Hurricane Katrina which many felt was negligent and that the Bush administration was "Stuck on Stupid".

The promotional video deliberately played on popular feelings of utter disbelief and dismay at the way the U.S. government had responded to the event.

Stuck on stupid indeed.

Bullet the Blue Sky


Perhaps the archetype political song by U2 (arguably Sunday Bloody Sunday could take that role too) the lyrics describe the unintended consequences of US President Ronald Reagan's foreign policy decisions in South America.

The song lyrics are an overt criticism of the American policy of "stop communism at all costs" 

Such policy led the Reagan Administration to provide financial and political support to the Salvadoran regime which required them to ignore that regime's abuse of human rights


Is it really any surprise that U2 ended up writing a song about New York?

U2’s song "New York," from their 2000 album All That You Can’t Leave Behind, reflects Bono’s complex relationship with the city, blending admiration with personal introspection. The song serves as both a tribute to the vibrant and diverse metropolis, while also highlighting its contradictions—its allure, chaos, and underlying darkness. 

Throughout the lyrics, Bono captures the energy and dynamism of New York, portraying it as a place of reinvention and possibility, where people from all walks of life come together. The city becomes a metaphor for resilience, diversity, and the constant renewal of identity.

However, the song also conveys a sense of personal loss and dislocation. Written before the September 11 attacks but taking on an added weight in their aftermath, “New York” seems to express both Bono’s love for the city’s iconic energy and his awareness of the alienation and tragedy that can lie beneath its surface. 

Bono has stated that the song is a tribute of sorts to both Frank Sinatra and Lou Reed both of who Bono idolised. U2 would write Two Shots of Happy, One Shot of Sad for Sinatra which daughter Nancy ended up releasing and U2 would cover Satellite of Love in respect of their love for Reed.

The Play Boy Mansion


The Playboy Mansion stands (stood?) as a complex cultural symbol, embodying both the virtues and vices often attributed to American society. 

On one hand, it represents the excess, hedonism, and materialism that some critics argue are among the more troubling aspects of the American dream. The mansion, with its infamous parties, opulence, and superficial glamour, highlights the country’s obsession with wealth, pleasure, and fame, often at the expense of deeper values. 

Hugh Hefner, the mastermind behind this iconic landmark, remains a figure of both admiration and controversy, embodying the paradox of American values—he is celebrated for pushing boundaries and challenging societal norms, yet criticized for promoting a lifestyle that some view as shallow or morally questionable. 

Or rather he was simply a sexist, misogynist dinosaur. 

A relic of the Cold War...

In the context of Bono's lyrics, the mention of the Playboy Mansion could be seen as a satirical commentary on these dualities. 

The lyrics might offer a tongue-in-cheek critique of American icons, highlighting how celebrity, wealth, and material pleasure are often held up as ideals in popular culture. 

Yet, Bono’s own moral and philosophical leanings suggest he is not sincerely advocating a visit to Hefner’s mansion as a genuine path to fulfillment. By invoking the Playboy Mansion, Bono might be critiquing the way American society conflates superficial pleasure with genuine happiness, using irony to challenge listeners to reflect on what they truly value.

We are pretty sure Bono's Fly character would have turned up at some point...

Elvis Ate America and Elvis Presley And America


Two for the money here - U2 have often sang about Elvis - and these songs were a celebration of the man and his legacy on music.

The lyrics that 'Elvis would have been a sissy without Johnny Cash' were a great piece of commentary - the use of the word 'n-word' was a brave move.... did Chuck D approve?

Zooropa


Many of the verse lyrics are borrowed from the slogans of American companies and corporations.

These slogans include "Be all that you can be" from the United States Army), "Fly the friendly skies" from airline United Airlines), Colgate's "Ring of confidence (the lyric being "We've got that ring of confidence"), and Fairy's "Mild green Fairy liquid" (the line being "We're mild and green and squeaky clean").

This could be simply viewed some kind of meta commentary on American consumerism (admittedly the song has slogans from other European countries) and perhaps hints at some kind of moral confusion where the morals of a society may be dictated by the corporate dollar spend on advertising.

Pride (In the Name of Love)


Pride has become an international anthem for peace, freedom, and human rights.

Its inspiration was the civil rights movement in the United States in the 1950s and '60s.

The song is a celebration of Martin Luther King Jr. who has become the symbol for equal rights in America for all persons.

U2 also wrote the song MLK about the same subject.

Seconds


While the lyrics are a loose story of a terrorist trying to arm a bomb and perhaps set it off, the context for the song is that it was written by Bono in the 1980s.

This was a period when the Cold War between the USSR and America had reached an all-time freezing point in relations (save for the Cuban missile crisis!).

The song evokes the fears that people had that this Cold War could potentially lead to nuclear war and the cold winter that would bring.

The Hands That Built America

"The Hands That Built America" is a reflective piece that pays homage to the immigrant experience in the United States, centering on the contributions of Irish immigrants and expanding to represent the diversity and hardship of all immigrant stories. 

Written for Gangs of New York and later included on The Best of 1990-2000, the song delves into themes of resilience, sacrifice, and the promise of the "American Dream." 

It touches on the physical and emotional labor immigrants invested in building the nation, often in the face of prejudice and struggle. The lyrics underscore America as both a beacon of opportunity and a site of challenges, highlighting the juxtaposition between the ideals of freedom and the reality of assimilation and survival. 

It was nominated for Best Original Song at the 75th Academy Awards, but lost to "Lose Yourself" by rapper Eminem.

American Soul


From the Songs of Experience album, U2 dropped American Soul like it was hot with a rap by Kendrick Lamar. It explores themes of American identity, patriotism, and idealism, while also critiquing the nation's contradictions and challenges. 

The song reflects on the idea of America as a symbol of freedom, hope, and inclusivity, but juxtaposes this with its history of social inequality, political strife, and exclusion. Bono’s lyrics call for unity, love, and a reawakening of the values that America claims to uphold, urging listeners to reclaim the true "American soul" in the face of division and injustice. 

That's just a taste of songs that U2 has used to make a comment on America.

There's almost a duplicity to U2 in this regard - they tour America, grab the cash + fat cheques from Apple and revel in its people and then at the same time they make sharp criticism of its leaders, their institutions, Micheal Jackson and Coke.

Get Out of Your Own Way

"Get Out of Your Own Way," also from Songs of Experience, critiques both personal and societal barriers, intertwining themes of political resistance with a message of empowerment. 

The lyrics combine Bono’s call for self-awareness with a reflection on the social tensions he observes in America, especially regarding civil rights and political division. 

The song has direct commentary on the state of American politics, the election, and performance of Donald Trump, echoing sentiments of disillusionment in a fractured landscape. The track is a critique of injustice and systemic failure, while exhorting listeners to overcome personal and societal divisions. 

-

We trust U2 fans are in on all of this but it but it might be hard to tell in a country where many people think Bruce Springsteen's Born in the USA is a patriotic song.....

U2 songs that reference nuclear bombs and other horrors

Tuesday, January 5, 2021
U2's engagement with themes of nuclear war and weapon disarmament, particularly evident during the tense era of the Cold War, underscores their commitment to addressing global concerns through their music. The band's approach to these themes is a reflection of the prevailing anxieties and debates surrounding nuclear proliferation and the potential for catastrophic conflict. 

U2's lyrics often weave a narrative that captures the fear and existential threat posed by nuclear weapons, serving as a voice for peace and disarmament in a world brimming with geopolitical tensions.

u2 protesting nuclear power plant

The band's exploration of these themes is more than just a commentary on global politics; it's an emotional plea for sanity and survival in the nuclear age. Their songs communicate the urgency of disarmament and the need to redirect human efforts towards peace and cooperation. This messaging is particularly resonant given the band's rise to prominence during a time when the threat of nuclear war loomed large in public consciousness. 

U2 also once famously protested against the Sellafield nuclear plant by colluding with Greenpeace to stage an event on a beach near the site that was contaminated with radiation as the result of the power plant’s activities.

As far as I can figure the earliest U2 song lyrics that refers to atomic bombs is from the non album single, Celebration where Bono sarcastically shares that he believes in the following three things:

“I believe in the third world war
I believe in the atomic bomb
I believe in the powers that be but they won't overpower me”

That was as far back as 1982.

Seconds from the popular War album is another early U2 songs to make direct references to atomic bombs

“And they're doing the atomic bomb
Do they know where the dance comes from
Yes, they're doing the atomic bomb
They want you to sing along"

Bono said to the NME music magazine in 1983 of the song:

"There is a line in 'Seconds' about a fanatic assembling a nuclear device in an apartment in Times Square, New York, but it could be anywhere. We are now entering the age of nuclear terrorism where a group of fanatics could have the capabilities of bringing a bomb into a city and holding millions of people to ransom."

The Unforgettable Fire was released in 1984 in a time when the world was worrying itself sick about the arms race between the US and the Russians. Bono was inspired by a collection of paintings collectively known as The Unforgettable Fire which was a reference to atomic bombs being dropped in the Japanese cities of Hiroshima and Ngagasaki. 

Says the Edge of the art display (in the book U2: Into the Heart: The Stories Behind Every Song) "the image of that purging quality, coupled with the insight it gave into the horror of nuclear holocaust, stuck in Bono's mind".

The Wanderer, featuring country and western legend Johnny Cash from the Zooropa album was definitely suggestive of being set in a post apocalyptic world set under an 'atomic sky'. Lyrically it featured a character that appeared to be struggling to find some kind of spiritual identity.

Another U2 album title also referred to atomic bombs in a most direct fashion – How to Dismantle An Atomic Bomb was a popular album that had a bonus track Fast Cars which gave the answer to the album’s question – one dismantles an atomic bomb with love.

Through these songs, U2 not only raises awareness about the dangers of nuclear weapons and the need for disarmament but also encourages their listeners to contemplate the moral and ethical implications of war. Their approach to these themes is not didactic; rather, it invites reflection and dialogue, contributing to a broader discourse on peace and global security. 

U2's songs about nuclear war and disarmament underscore the band's role as not just musicians but also as global citizens deeply invested in the pursuit of a more peaceful world.

U2's ability to articulate the collective fears and hopes of their generation, and to advocate for a world free of nuclear weapons, demonstrates their role not just as entertainers, but as global activists using their platform to inspire change and provoke thought on critical issues. Their contribution to the discourse on nuclear disarmament highlights the power of music as a tool for social and political engagement, resonating with audiences worldwide and lending a voice to the movement for global peace.

Are there any other U2 lyrics that refer to nuclear issues?

Check out this other article that discusses Bono's lyric writing abilities

Review of U2's Songs of Experience

Sunday, December 3, 2017

U2's Songs of Experience album review


This album has been a long time coming. When Songs of Innocence 'fell out of the sky' from nowhere, Bono was quick to mention U2 had actually recorded two albums and would be releasing a companion album as a fast follower.

Well, no one listens to Bono so when he said it was coming in 2016, we knew he meant 2019 so it's with some listening pleasure we are reviewing Songs of Experience in late 2017.

And it is a  genuine companion album to Songs of Innocence by several means.

The inspiration is of course William Blake's book of poetry which casts life into the two groups of innocence and experience, the lyrics of Bono which are hugely introspective of his life (every song could be about himself or his wife) and by way of two songs taking musical cues from Volcano and Song for Someone from the first album.

So, here's our review on a track by track basis:

Love is all we have left


A mild opening track which sets a sombre tone for the album. Atmospheric and it largely works except for the ridiculous vocal manipulation done midway through. Could not be more of a different album opener than Discotheque if you tried. There's clearly going to be no tounge in cheek or village people on album.

Woah, a bomb track straight off the board. Bland, uninspiring, how the heck did this song get through the band's internal vetting processes?

The first single, and a great U2 track. A zippy chorus that gets better and better with each listen. This song is kind of almost by-the-numbers single but U2 has always had better numbers than any band.  It's comparable to Magnificent from No Line on the Horizon in that sense.

Get Out of Your Own Way


Another single, that promises much when it evokes the opening of Where The Streets Have No Name but doesn't get quite to that level of glory. A firm track to back up the first single and a real grower with each listen.

The one with Kendrick Lamar marshaling comment on rich people and maybe Donald Trump. Another American love letter from the band to America. They sure do write a lot about the US of A!

The chorus is a direct lift from Songs of Innocence's Volcano and easily improves on what was a weak track from that album.

Another stray from the rescue home. Could have done with a bit more TLC before being released back into the wild. Has a nice melody.

Now we are talking. The first genuinely brilliant song with a chorus hook to die for. A classic song in the sense that it's a upbeat song where the lyrics focus on the utterly depressing subject of Syrian refugees. The structure and feel also harks back to very early U2 tracks found on Boy and War. Excellent drumming. 

The Showman (Little More Better) 


If ever U2 were ever to write a proper Irish song that could be song across pubs around the world when the punters are up for a tune, this is it. 

This one of the best songs U2 have written in a decade. With a wonderful melody and a sing along chorus to die for. 10 out of 10. Instantly goes into my top 5 U2 songs.

Would have loved to have seen how this would have gone as the first or second single released.

Reminds me of a glorious pop song of the sixties that I just can't recall. 

A love ballad in pace, with lyrics that seem to be about Bono reflecting on his past life. The way Bono sings it is almost confessional. A potential live favourite. 

Landlady

A clear love note from Bono to his wife Ali. Slow and plodding but builds nicely. 

The rocker song on the album, this has STADIUM written all over it. A filthy base line from Adam Clayton and his best in many an album. Strong echoes of Achtung Baby and Zoo Station. 

A filler track, but better than Lights of Home. Like many tracks on this album, a slow starter that land quite well at the end. 

The most beautifully haunting song on this album. Borrowing heavily from the wonderful Song for Someone this is U2's equivalent of Metallica's Unforgiven II.

Simply superb and it continues U2's song tradition of really good album closing tracks. 

Review Summary

U2 will never record another Achtung Baby but we can still expect them to record cracker songs and a handful of those have been delivered with this album.

A genuine surprise that the Lights of Home is so genuinely bad but that can be quickly over looked by the big singles and sing-a-long tracks that far outweigh any complaints.

Despite Bono's rhetoric' about American President Donald Trump being the basis for a lyrical rewrite on many songs, the effect is negligible - maybe there's a dig about him as a dinosaur in The Blackout and a bit of a sledge in American Soul but that would be about it. 

A strong effort from U2 and they should be proud that they have made a true companion album.

Many bands are afraid to try new things so as to not upset the gravy train but yet again the biggest band in the world has got their hands dirty.  
Powered by Blogger.
Back to Top