Showing posts with label u2. Show all posts
Showing posts with label u2. Show all posts

10 U2 songs that reflect on American culture and politics

Sunday, October 13, 2024
U2 are no strangers to having a say on America, its people, and its politics. They are fairly big on political activism. In fact, making political commentary is almost second nature to Bono, if he's not singing about troubles in Ireland, he's trying to convince someone like George Bush Jnr to reduce the debt owed to America by third-world countries. 

He shares his views because he earnestly cares.

Most people don't.

U2's lyrical journey through the complexities of American politics and culture stands as a testament to their keen observational skills and deep empathy for global issues. 

Over the decades, U2's music has often served as a mirror, reflecting the diverse and dynamic facets of American life (refer Rattle and Hum and plenty of POP), from its lofty ideals and cultural vibrancy to its political controversies and societal challenges.

The band's engagement with American themes is deeply rooted in their own experiences and observations. From their early tours in the United States, U2 was captivated by the country's vast cultural landscape and its pivotal role on the world stage and U2 began to reflect this through its song. 

Bono wearing an American flag jacket
Outside is America
 

10 U2 songs that reflect on American culture and politics  


Songs like "Bullet the Blue Sky" and "Pride (In the Name of Love)" exemplify how U2's music delves into the heart of American political discourse, addressing issues from foreign policy to civil rights. These songs are not just performances; they are powerful statements that reflect the band's longstanding commitment to advocacy and activism. 

By integrating their observations of America into their music, U2 has created a body of work that resonates with listeners worldwide, offering insights not only into American culture and politics but also into the universal themes of justice, freedom, and human resilience.

Angel of Harlem


A song inspired by singer Billie Holiday, Bono was trying to throw the kitchen sink at this song, referencing all kinds of musical figures related to the city of New York - even a popular radio station was mentioned!

U2 appeared to be trying to 'get into' the blues on Rattle on Hum. This song was a clear step in that musical genre, and the inclusion of names from artists who helped shape it was an attempt to give it an air of authenticity.

America is, after all, the home of the blues.

A less cynical reader might simply see the lyrics of Angel of Harlem as a celebration of the city.

The Saints Are Coming


While not written by U2 or Green Day (it was a cover of The Skids song), The Saints Are Coming is a song both bands recorded together to deliver a blunt political message about the U.S. Government's response to Hurricane Katrina which many felt was negligent and that the Bush administration was "Stuck on Stupid".

The promotional video deliberately played on popular feelings of utter disbelief and dismay at the way the U.S. government had responded to the event.

Stuck on stupid indeed.

Bullet the Blue Sky


Perhaps the archetype political song by U2 (arguably Sunday Bloody Sunday could take that role too) the lyrics describe the unintended consequences of US President Ronald Reagan's foreign policy decisions in South America.

The song lyrics are an overt criticism of the American policy of "stop communism at all costs" 

Such policy led the Reagan Administration to provide financial and political support to the Salvadoran regime which required them to ignore that regime's abuse of human rights


Is it really any surprise that U2 ended up writing a song about New York?

U2’s song "New York," from their 2000 album All That You Can’t Leave Behind, reflects Bono’s complex relationship with the city, blending admiration with personal introspection. The song serves as both a tribute to the vibrant and diverse metropolis, while also highlighting its contradictions—its allure, chaos, and underlying darkness. 

Throughout the lyrics, Bono captures the energy and dynamism of New York, portraying it as a place of reinvention and possibility, where people from all walks of life come together. The city becomes a metaphor for resilience, diversity, and the constant renewal of identity.

However, the song also conveys a sense of personal loss and dislocation. Written before the September 11 attacks but taking on an added weight in their aftermath, “New York” seems to express both Bono’s love for the city’s iconic energy and his awareness of the alienation and tragedy that can lie beneath its surface. 

Bono has stated that the song is a tribute of sorts to both Frank Sinatra and Lou Reed both of who Bono idolised. U2 would write Two Shots of Happy, One Shot of Sad for Sinatra which daughter Nancy ended up releasing and U2 would cover Satellite of Love in respect of their love for Reed.

The Play Boy Mansion


The Playboy Mansion stands (stood?) as a complex cultural symbol, embodying both the virtues and vices often attributed to American society. 

On one hand, it represents the excess, hedonism, and materialism that some critics argue are among the more troubling aspects of the American dream. The mansion, with its infamous parties, opulence, and superficial glamour, highlights the country’s obsession with wealth, pleasure, and fame, often at the expense of deeper values. 

Hugh Hefner, the mastermind behind this iconic landmark, remains a figure of both admiration and controversy, embodying the paradox of American values—he is celebrated for pushing boundaries and challenging societal norms, yet criticized for promoting a lifestyle that some view as shallow or morally questionable. 

Or rather he was simply a sexist, misogynist dinosaur. 

A relic of the Cold War...

In the context of Bono's lyrics, the mention of the Playboy Mansion could be seen as a satirical commentary on these dualities. 

The lyrics might offer a tongue-in-cheek critique of American icons, highlighting how celebrity, wealth, and material pleasure are often held up as ideals in popular culture. 

Yet, Bono’s own moral and philosophical leanings suggest he is not sincerely advocating a visit to Hefner’s mansion as a genuine path to fulfillment. By invoking the Playboy Mansion, Bono might be critiquing the way American society conflates superficial pleasure with genuine happiness, using irony to challenge listeners to reflect on what they truly value.

We are pretty sure Bono's Fly character would have turned up at some point...

Elvis Ate America and Elvis Presley And America


Two for the money here - U2 have often sang about Elvis - and these songs were a celebration of the man and his legacy on music.

The lyrics that 'Elvis would have been a sissy without Johnny Cash' were a great piece of commentary - the use of the word 'n-word' was a brave move.... did Chuck D approve?

Zooropa


Many of the verse lyrics are borrowed from the slogans of American companies and corporations.

These slogans include "Be all that you can be" from the United States Army), "Fly the friendly skies" from airline United Airlines), Colgate's "Ring of confidence (the lyric being "We've got that ring of confidence"), and Fairy's "Mild green Fairy liquid" (the line being "We're mild and green and squeaky clean").

This could be simply viewed some kind of meta commentary on American consumerism (admittedly the song has slogans from other European countries) and perhaps hints at some kind of moral confusion where the morals of a society may be dictated by the corporate dollar spend on advertising.

Pride (In the Name of Love)


Pride has become an international anthem for peace, freedom, and human rights.

Its inspiration was the civil rights movement in the United States in the 1950s and '60s.

The song is a celebration of Martin Luther King Jr. who has become the symbol for equal rights in America for all persons.

U2 also wrote the song MLK about the same subject.

Seconds


While the lyrics are a loose story of a terrorist trying to arm a bomb and perhaps set it off, the context for the song is that it was written by Bono in the 1980s.

This was a period when the Cold War between the USSR and America had reached an all-time freezing point in relations (save for the Cuban missile crisis!).

The song evokes the fears that people had that this Cold War could potentially lead to nuclear war and the cold winter that would bring.

The Hands That Built America

"The Hands That Built America" is a reflective piece that pays homage to the immigrant experience in the United States, centering on the contributions of Irish immigrants and expanding to represent the diversity and hardship of all immigrant stories. 

Written for Gangs of New York and later included on The Best of 1990-2000, the song delves into themes of resilience, sacrifice, and the promise of the "American Dream." 

It touches on the physical and emotional labor immigrants invested in building the nation, often in the face of prejudice and struggle. The lyrics underscore America as both a beacon of opportunity and a site of challenges, highlighting the juxtaposition between the ideals of freedom and the reality of assimilation and survival. 

It was nominated for Best Original Song at the 75th Academy Awards, but lost to "Lose Yourself" by rapper Eminem.

American Soul


From the Songs of Experience album, U2 dropped American Soul like it was hot with a rap by Kendrick Lamar. It explores themes of American identity, patriotism, and idealism, while also critiquing the nation's contradictions and challenges. 

The song reflects on the idea of America as a symbol of freedom, hope, and inclusivity, but juxtaposes this with its history of social inequality, political strife, and exclusion. Bono’s lyrics call for unity, love, and a reawakening of the values that America claims to uphold, urging listeners to reclaim the true "American soul" in the face of division and injustice. 

That's just a taste of songs that U2 has used to make a comment on America.

There's almost a duplicity to U2 in this regard - they tour America, grab the cash + fat cheques from Apple and revel in its people and then at the same time they make sharp criticism of its leaders, their institutions, Micheal Jackson and Coke.

Get Out of Your Own Way

"Get Out of Your Own Way," also from Songs of Experience, critiques both personal and societal barriers, intertwining themes of political resistance with a message of empowerment. 

The lyrics combine Bono’s call for self-awareness with a reflection on the social tensions he observes in America, especially regarding civil rights and political division. 

The song has direct commentary on the state of American politics, the election, and performance of Donald Trump, echoing sentiments of disillusionment in a fractured landscape. The track is a critique of injustice and systemic failure, while exhorting listeners to overcome personal and societal divisions. 

-

We trust U2 fans are in on all of this but it but it might be hard to tell in a country where many people think Bruce Springsteen's Born in the USA is a patriotic song.....

How many number ones has U2 had?

Monday, December 4, 2023


How many number one songs have U2 had?


The short version: United Kingdon 7 and United States 2

The long version:

U2 have had all kinds of hits on the music charts but at the end of the day it’s the songs that made number one on those charts that are often the ones asked about as questions in pub quizzes.

So to help you out, here’s a list or two of U2 songs that have made number one.

U2 live - number one songs

There are various kinds of charts that track song popularity and they often revolve around rock, country and blues and are used to allow music that would never be mainstream get some air time. There’s even the itunes charts which for some unexplained reason people seem to think matters… but the truth is digital sales are the the only way sales of singles occur these days.

When was the last time you physically purchased a U2 single?

Too my mind there are two charts that really count. 

Being ‘Top of the Pops’ in the UK means you are number one and crowning the Billboard 200 means you have the most popular song for the week in America.

And we’ll use those charts to show how many number on hits U2 have had.

First up is the America Billboard chart which shows the U2 have had two US number one hits. Both hits were from The Joshua Tree and were With or Without You and I Still Haven’t Found What I’m Looking For

Desire from Rattle and Hum made it as high as 3 and a couple of singles from Achtung Baby and Pop made the top 10 and that’s it.

So, U2 have only had 2 number one American hits.

It’s a better story for the UK chart where U2 has had a bit more success in terms of chart toppers.

Nothing from The Joshua Tree went to number one despite the album’s massive success so it was Desire that became U2’s first UK number one hit. It came from Rattle and Hum. In 1991 when The Fly flew off as the lead single from Achtung Baby it landed at number 1.  Talk about post modern irony.

It was a long time between drinks when Discotheque dropped in 1997.

U2’s spiritual come back album All That You Can’t Leave Behind had a string of popular singles but only Beautiful Day in 2000 managed the top spot.

A debatable number one is Take Me to the Clouds Above" by LMC vs. U2. Debatable as it was a song featuring samples from U2's With or Without You with a healthy splash of Whitney Houston thrown in. At the end of the day, the song has U2’s name in the space where the artist’s name goes so it counts as a number one.

How to Dismantle an Atomic Bomb offered a notable double with both Vertigo and Sometimes You Can’t Make It on Your Own grabbing their time in the top position.

We have a hazy sense only Oasis have done that trick in the last 30 years.   

'No Line on the Horizon' suffered from a lack of hit singles. Such a shame, the album had some good songs.

This means U2 have had seven number one hits in the UK and two in the United States. 

How many Irish number one songs has U2 had?

Unsurprisingly, U2 are even more popular in their home country of Ireland and owned the number one place an awesome 21 times.

That's right in Ireland, U2 have had 21 number one singles.

U2 also seems to do fairly well in Canada.

A really interesting number one is The Joshua Tree's song, One Tree Hill. It was written in memory of Greg Carrol, a friend of U2 who died while working for them. Carrol was a New Zealander so U2 decided to release the single only in New Zealand where it went to one, become U2's first number one there.

When U2 play NZ, they play that song every time and rarely play it outside of NZ but they did for the 30th Anniversary of the The Joshua Tree.

List of U2’s UK number one songs:
And if you're still with us, here's a list of U2's number one albums.

U2 lyrics that explore religion, Jesus, Yahweh and The Good Book

Wednesday, January 4, 2023
It seems almost obligatory to do a post on U2's spiritual side. They are perhaps the world's most popular Christian band after all!  I say Christian very loosely though as for some people that kind of connotation can turn them right off  but U2's is most definitely a band that is not shy of exploring their spiritual lyrical side.

Bono, U2's main lyric writer, is a noted musical magpie who steals lines from the Bible to help with his song crafting. Indeed, there's a whole page of bible references Bono has made across the U2 song catalogue.

Lyrics from the Bible that U2 use

You could almost put U2's song lyrics into two distinct camps - songs about spirituality and songs about politics (such as nuclear war). 

You could throw in a third camp about of U2's love songs if you wanted but since when has 'love' not ever been spiritual or a matter of politics?

Jesus is a popular man in U2 songs, along with mentions of Yahweh, the references to the Koran and a few other Saints - so I thought  I'd feature a few U2 song lyrics that show case Bono's spiritual side and give a little insight into what I think the lyrics mean and perhaps give a little context on the genesis of some of them...

I Still Haven't Found What I'm Looking For


Many people suddenly found themselves to be U2 fans in the late 80s when The Joshua Tree album started topping charts around the world.

Helping lead the charge was I Still Haven't Found What I'm Looking For which is the gold standard if you are looking for a U2 song that focuses on a spiritual yearning

Stealing the line from the Bible's 1 Corinthians 13:1: "If I speak in the tongues of men and of angels, but have not love, I am only a resounding gong or a clanging cymbal." Bono directly references Corinthians 13 in Elvis Ate America from the Original Soundtracks Vol 1.

Bono sung  "I have spoken with the tongue of angels" thus heralding to the world where he was coming from yet he then signalled his mischievous side with the following lyric that he had also 'held the hand of the Devil'.

Wake Up Dead Man from the Pop album


In tough times people often turn to their spiritual advisor for support - Wake Up Dead Man is Bono trying to get a direct line with Jesus to come and fix "the fucked up world'.

Originally written during the Zooropa recording sessions, the final version ended up on Pop as an effective album closer.

Fun aside, Hold Me Thrill Me Kiss Me Kill Me also came from the Zooropa recording sessions and asks a question of Jesus.

Gloria 

The lyrics of "Gloria" from U2's October album are a powerful expression of spiritual yearning and the tension between human limitations and divine transcendence. Bono uses the Latin phrase "Gloria in te Domine" (Glory in you, Lord), immediately situating the song within a religious context, invoking a direct appeal to God. 

The chorus, with its repetition of "Gloria," echoes a form of worship, a plea for connection with the divine. The verses reflect a personal struggle—Bono sings of feeling both empowered by faith and constrained by doubt, as he expresses the desire to "sing out loud," but feels his "voice can't take the strain." This contrast between the desire for liberation and the awareness of human frailty runs through the song, capturing the essence of spiritual conflict. 

"Gloria" is about searching for God amidst life's chaos, seeking to break free from earthly confines to embrace something higher. The recurring imagery of rising and being lifted points to a longing for spiritual elevation, while the song's soaring melody mirrors this aspiration. 

Ultimately, "Gloria" is both a cry for help and an act of devotion, reflecting Bono's ongoing quest for faith and purpose, which is a central theme of the October album.


Yahweh

A beautiful track from U2's How to Dismantle An Atomic Bomb, Yahweh's lyrics are a reflection of Bono's faith (as the son of a Catholic father and an Anglican mother) and points to the differences in the power that he believes between God and mankind. 

The word 'yahweh' has traditionally been by transliterated from the word Jehovah. Jehovah is often described as "the proper name of God in the Old Testament".

Larry, Bono, Edge and Adam, hold the bike while I get on?

Sunday Bloody Sunday


A protest song about the political troubles that have face the people of Ireland, its inspiration was a couple of events where soldiers shot civilians in Northern Ireland. 

The Derry massacre, or Bloody Sunday, was deeply intertwined with the religious divide between Catholics and Protestants in Northern Ireland, where Catholics, largely identifying as Nationalists, sought reunification with the Republic of Ireland, while the Protestant Unionists favored continued British rule. 

The religious divide was a driving force behind the sectarian violence, with British military intervention being perceived by many Catholics as siding with the Protestant-dominated government.

Until the End of the World


This has proved to be an incredibly popular song from U2's Achtung Baby and has been played on just about every tour U2 have done since that album was released in 1991.

In U2 fan circles, the song is semi-legendary for being interpreted as a fictional conversation between Jesus and Judas following the betrayal in the Garden of Gethsemane.. The lyrics subtly convey a deep sense of remorse on Judas's part, suggesting that he came to regret his actions after betraying Jesus. This spiritual theme delves into the weight of guilt, forgiveness, and the consequences of moral failure, culminating in Judas’s tragic decision to take his own life. The song invites listeners to reflect on themes of redemption, betrayal, and the complex human emotions tied to spiritual crises.

Tomorrow

A classic earnest lyric from Bono, the song reflects a period in his life when he was grappling deeply with his faith, mortality, and spiritual identity. 

The October album, in particular, marks a pivotal moment in Bono’s songwriting, often referred to as the "God Watch" phase. This phase was characterized by an intense personal search for meaning, fueled by the loss of his mother and the existential questions that followed. 

His mother's death, which occurred when Bono was a teenager, left a lasting impact on him, and this grief permeates much of the album's lyrical content, as he contemplates life, death, and what lies beyond.

Bono's lyrics reflect internal dialogue about his relationship with God, his struggles with doubt, and the idea of meeting Jesus. It's as if the songs are meditations or prayers, filled with both yearning and uncertainty, as Bono navigates the tension between his faith and the harsh realities of life. 


Stranger in a Strange Land


The lyrics of U2's "Stranger in a Strange Land" evoke the biblical story of the Road to Emmaus from Luke 24, where the resurrected Jesus appears as a stranger to two of his disciples. Throughout their journey together, the disciples fail to recognize him until he breaks bread with them, revealing his true identity. 

This theme of spiritual blindness and revelation resonates in the song's lyrics, with Bono seemingly drawing parallels between the experience of feeling disconnected from or alienated within the world and the deeper spiritual realization that can suddenly arise in unexpected moments. 

The metaphor of being a "stranger" captures the human condition of searching for meaning, struggling with faith, and the longing for a connection that transcends the ordinary—similar to how the disciples, initially lost and disillusioned, found hope and recognition in Jesus once their eyes were opened. 


It's hard to discern the actual message of this song. The lyrics possibly suggest the character is living in a world where they need some help and they need some angels to come and sort things out.

The line "where is the hope, and where is the faith, and the love?" hints at a lost soul that needs some guidance in light of a world they are concerned about such one where the cartoon network leads into the news and the blind lead the blondes.

The song featured on the City of Angels soundtrack and was a fairly popular single from the Pop album.

Salome


Salome is inspired by the story of the death of John the Baptist which was from the gospel of Mark.

Supposedly a seductive dancer (in the modern-day vernacular, she'd be known as a stripper) Salome's super gyrations convinced the King to grant her a wish to which she asked for the head of John.

Pretty random story and sounds like something that got lost in translation when the Bible got rewritten. It's either that or Oscar Wilde had an overactive imagination. 

These eight songs were only a taste of the many songs that Bono has imbued with lyrics that refer to the Bible or have looked into an 'ecumenical' matter of sorts - Gloria, for example, could probably have a whole essay written about it.

The Wander

In "The Wanderer" from Zooropa, Johnny Cash's vocals paint a vivid picture of a man drifting through a dystopian landscape, searching for meaning in a morally bankrupt world. His journey takes him through the "capitals of tin," a metaphor for modern cities where superficiality reigns, and freedom is stifled, symbolized by the line "where men can't walk or freely talk, and sons turn their fathers in." This chilling observation reflects a society where trust is broken, and even familial bonds are sacrificed for survival or conformity.

As he stops outside a church, Cash highlights the paradox of people desiring the comforts of a spiritual kingdom but rejecting the divine presence itself—"they say they want the kingdom, but they don't want God in it." 

This speaks to a hollow, materialistic spirituality devoid of true faith or connection. The wanderer continues his ride down "that old eight lane," a symbol of the vast, impersonal highways of modern life, passing countless signs, searching for his identity, but finding nothing. His journey is both physical and spiritual, one of existential longing, as he went out "with nothing but the thought you'd be there too, looking for you," a poignant reflection of the hope that perhaps in this desolate world, he might find someone who shares his quest for meaning, love, or redemption. 

The song, rich with metaphor, explores themes of isolation, disillusionment, and the relentless pursuit of something greater in a fractured world.


What other songs do you think show U2's spiritual side? What do they mean for you?

U2 songs that reference nuclear bombs and other horrors

Tuesday, January 5, 2021
U2's engagement with themes of nuclear war and weapon disarmament, particularly evident during the tense era of the Cold War, underscores their commitment to addressing global concerns through their music. The band's approach to these themes is a reflection of the prevailing anxieties and debates surrounding nuclear proliferation and the potential for catastrophic conflict. 

U2's lyrics often weave a narrative that captures the fear and existential threat posed by nuclear weapons, serving as a voice for peace and disarmament in a world brimming with geopolitical tensions.

u2 protesting nuclear power plant

The band's exploration of these themes is more than just a commentary on global politics; it's an emotional plea for sanity and survival in the nuclear age. Their songs communicate the urgency of disarmament and the need to redirect human efforts towards peace and cooperation. This messaging is particularly resonant given the band's rise to prominence during a time when the threat of nuclear war loomed large in public consciousness. 

U2 also once famously protested against the Sellafield nuclear plant by colluding with Greenpeace to stage an event on a beach near the site that was contaminated with radiation as the result of the power plant’s activities.

As far as I can figure the earliest U2 song lyrics that refers to atomic bombs is from the non album single, Celebration where Bono sarcastically shares that he believes in the following three things:

“I believe in the third world war
I believe in the atomic bomb
I believe in the powers that be but they won't overpower me”

That was as far back as 1982.

Seconds from the popular War album is another early U2 songs to make direct references to atomic bombs

“And they're doing the atomic bomb
Do they know where the dance comes from
Yes, they're doing the atomic bomb
They want you to sing along"

Bono said to the NME music magazine in 1983 of the song:

"There is a line in 'Seconds' about a fanatic assembling a nuclear device in an apartment in Times Square, New York, but it could be anywhere. We are now entering the age of nuclear terrorism where a group of fanatics could have the capabilities of bringing a bomb into a city and holding millions of people to ransom."

The Unforgettable Fire was released in 1984 in a time when the world was worrying itself sick about the arms race between the US and the Russians. Bono was inspired by a collection of paintings collectively known as The Unforgettable Fire which was a reference to atomic bombs being dropped in the Japanese cities of Hiroshima and Ngagasaki. 

Says the Edge of the art display (in the book U2: Into the Heart: The Stories Behind Every Song) "the image of that purging quality, coupled with the insight it gave into the horror of nuclear holocaust, stuck in Bono's mind".

The Wanderer, featuring country and western legend Johnny Cash from the Zooropa album was definitely suggestive of being set in a post apocalyptic world set under an 'atomic sky'. Lyrically it featured a character that appeared to be struggling to find some kind of spiritual identity.

Another U2 album title also referred to atomic bombs in a most direct fashion – How to Dismantle An Atomic Bomb was a popular album that had a bonus track Fast Cars which gave the answer to the album’s question – one dismantles an atomic bomb with love.

Through these songs, U2 not only raises awareness about the dangers of nuclear weapons and the need for disarmament but also encourages their listeners to contemplate the moral and ethical implications of war. Their approach to these themes is not didactic; rather, it invites reflection and dialogue, contributing to a broader discourse on peace and global security. 

U2's songs about nuclear war and disarmament underscore the band's role as not just musicians but also as global citizens deeply invested in the pursuit of a more peaceful world.

U2's ability to articulate the collective fears and hopes of their generation, and to advocate for a world free of nuclear weapons, demonstrates their role not just as entertainers, but as global activists using their platform to inspire change and provoke thought on critical issues. Their contribution to the discourse on nuclear disarmament highlights the power of music as a tool for social and political engagement, resonating with audiences worldwide and lending a voice to the movement for global peace.

Are there any other U2 lyrics that refer to nuclear issues?

Check out this other article that discusses Bono's lyric writing abilities

10 songs that show Bono's lyrical qualities

Saturday, May 9, 2020
The one thing that truly stands out for me when thinking about the brilliance of U2 is not their songs, the drums, or riffs.
 
Nor is it the hype and hyperbole of one of the world's most popular bands.

It's simply Bono's lyrics.

Bono has written the vast majority of U2's lyrics and in many of them, you can find some true gems of penmanship, little sparkles of lyrical bliss that took a good song and put it into the territory of musical greatness.

I suggest that while some non U2 fans take any chance to diss Bono, they would be really grumpy buggers if they denied that Bono was a great lyricist.

Like a good poet, Bono's lyrics feature a whole range of subjects - love and loss, drugs, faith, faith in drugs, gods, Elvis and other monsters and of course, politics and its prisoners. He can sometimes get a little dark, touching his inner Darth Vader.

This work leaves ample room for an inquiry into U2's lyrics, especially when The Edge chips in the odd song.

10 songs that show Bono's lyrical writing qualities



10 songs that show Bono's lyrical qualities
What rhymes with achtung?

So what are Bono's best lyrical moments and qualities? 


What's his inspiration for putting pen to paper?

What makes Bono's lyrics so well received by millions of listeners and readers around the world?

I can't speak for anyone else but I thought I could share 10 U2 songs which I think highlight Bono's mastery of his craft.

Some things are simply clever word plays, others are stories of delight and irony - a thing which Bono and the boys were very heavy on in the 1990's.

Trabants on stage anyone?

10 songs that show Bono's lyrical qualities


One


Perhaps second only to With Or Without you in terms of popularity, it is arguably U2's finest song and I believe the lyrics are what make this so - I think this is because it's one of those songs where the lyrics can mean anything and everything to anyone.

At work last week a manager did a pop quiz and asked what this song was about. The answers varied from 'it's about a gay couple' or 'two torn lovers'.

I think Bono's actually on record in the U2 by U2 book as One being a song about a couple that's breaking up.

But that doesn't matter as its words are universal and have been taken to heart by so many U2 fans - indeed some have even had it as their wedding song which I'm sure would be a delicious irony for Bono. 

The Wanderer


"They say they want the kingdom but they don't want God in it".

I think that's Bono perfectly capturing the wishes of so many of us.

We want the nice things, but aren't prepared to put in the effort.

Or something.

For me, The Wanderer always seemed like some post apocalyptic dream - and it's perhaps a sign of a great song where it allows you to shape your own thoughts and fantasies around it (well when Bono mentions the 'atomic sky', that's nice nudge).

Indeed, the whole of Zooropa's lyrics seem to take me to a strange other world, where in some places it's OK to feel numb or taste the lemon but spit out antifreeze.

Original of the Species


The title is suggestive of what's to come in this song, a play on Darwin's epic work about evolution - the song's lyrics are possibly a father looking at his daughter's own evolution from - child to woman.

The second half is more likely Bono singing to his wife (and the message in the first half could also before her) - either way both, themes are heartwarming.

If God Will Send His Angels


'Blind leading the blond' is perhaps my favourite U2 lyric ever. It's just a cleverly simple play on words.

Bono does that trick a fair bit in the Pop album - an almost too cute example is from The Playboy Mansion which opens with the lyric "If Coke is a mystery, and Micheal Jackson, history...".

It was a nice play on the failing career of Jackson and a play on the name of his Greatest Hits album.


Sunday Bloody Sunday


Bono defiantly wears this song's lyrics on his sleeve.

A song about soldiers shooting civilians in Northern Ireland - the lyrics capture the moment crisply by invoking a cross fire between religion and the military (and by extension the State) and the sad consequences when both collide.

Featuring a fine use of  a marching drum beat by Larry Mullen, the song's chorus is a defining moment for Bono - it was one of U2's first truly popular 'classic' songs and it many ways this song defined U2 as a band that could carry some political weight.

U2 would return to this theme with "Please" and "The Troubles".
.

Until the End of the World


"In my dream I was drowning my sorrows
But my sorrows, they learned to swim
Surrounding me, going down on me
Spilling over the brim

Waves of regret and waves of joy
I reached out for the one I tried to destroy
You, you said you'd wait
'Til the end of the world"

Simply one of Bono's finest song writing moments.

Water is commonly used as a metaphor life yet here's Bono drowning in his sorrows.

The song can be seen as a obvious story about how Judas betrayed Jesus and thus seen as one of those "U2 going on about God and spiritually" type songs but as with all good lyrics they can mean anything.

I tend to see this one more of a dramatic break up between two lovers where the relationship perhaps has been bit one sided.

The Wanderer


"They say they want the kingdom but they don't want God in it". I think that's Bono perfectly capturing the wishes of so many of us.

We want the nice things, but aren't prepared to put in the effort.

For me, The Wanderer always seemed like some post apocalyptic dream - and it's perhaps a sign of a great song where it allows you to shape your own thoughts and fantasies around it (well when Bono mentions the 'atomic sky', that's nice nudge).

Indeed, the whole of Zooropa's lyrics seem to take me to a  strange other world, where in some places it's OK to feel numb or taste the lemon but spit out antifreeze.

U2 playing live onstage


Not a hugely popular song on release as a single but I think time has shown that Please was a fine song from U2's Pop album.

Lyrically it was a political plea, invoking the captains of Irish politics to sort their messes out (The Troubles).

The listener would perhaps know the song had political connotations if they had seen the cover which featured Gerry Adams and other elected leaders - however this stanza effectively leaves no stone unturned as Bono thows a rock in the air to hit home the issues:

Your Catholic blues, your convent shoes
Your stick-on tattoos, now they're making the news
Your holy war, your northern star
Your sermon on the mount from the boot of your car

Strong stuff from an album many people were quick to write off.


One could be forgiven for thinking that Get on Your Boots was simply a throw away song by U2 ( indeed one wonders why they released it as the first single from No Line on the Horizon when Magnificent probably would have given them a hit single) however the lyrics of this song run deep.

Almost a stream of consciousness, tripping through its seemingly nonsensical words but when Bono writes "I don’t want to talk about the wars between the nations" is he saying everything or just burying his head in the sand?

This is Bono's finest love letter he has ever written.

The closing from Rattle and Hum is simply a man tell a woman how he loves her - it's perhaps not the happiest song with undertones suggesting things may have gone awry - indeed the tremendous coda at the end suggests a passionate love affair being ripped apart by uncaring forces.

A good lyric deserves a fine musical backing and All I Want is You has it in spades.

Summary

So that was my attempt to highlight some of the fine lyrical qualities and charms that Bono and U2 have to offer.

Of course, with any interpretation of songs, the whole exercise is a subjective journey, indeed a musical journey that could have stopped at a completely different set of songs.

Bono is a bit of a lyrical magpie.

He steals lines from the bible and riffs on the work of others (such as when he tried to write a sequel of sorts to John Lennon's 'God') to make his point. But he does that and gets his unique messages across to the listener very well.

If someone hasn't already printed a book featuring all of U2's lyrics, they surely will as they serve as some fine literature in their own right. Throw in some politcal rallying and a little love making and there's a best seller book of poetry on your hands....

What are your favourite lyrical moments from U2?

U2 songs that name check real people

Tuesday, October 25, 2016
U2 as lego blocks!

U2 songs that reference real people


Here's a few songs where Bono was named checked real people in his song lyrics.

There's also a few songs where the lyrics a talking about a real person but they are not directly named.

Angel of Harlem


A song about singer Billie Holiday, Bono was trying to throw the kitchen sink at this song, referencing all kinds of musical figures including John Coltrane and Miles Davis.

One Tree Hill


Bono name dropped Victor Jara in this song that is really popular in NZ for some reason.....

"And in our world a heart of darknessA firezone where poets speak their hearts
Then bleed for it Jara sang his song a weapon
In the hands of love
You know his blood still cries from the ground"

This verse is referring to how Victor Jara was executed for his political disssent and thus became a symbol of the struggle for human rights.

Elvis Ate America


This is possibly the U2 lyric that refers to the most people Lisa Marie Presley Chuck D, Johnny Cash all feature with shout outs to Hitler, Nixon, Christ, Mishima, Markus and Michael Jackson.

Bono would later refer to Michael Jackson in Pop's The Playboy Mansion as well, but that's all history now...

God Part II


This song was intended as a sequel to John Lennon's song called God.

Lennon's song refers to things he didn't believe in such as war and The Beatles.

Bono's version also refers to things that he also doesn't believe in but also goes on to refer to how angry he was at the author Albert Goldman who wrote an unflattering biography of Lennon (and also a controversial biography of Elvis, and given U2's love of Elvis, I'm not surprised Bono made the reference).


Pride



"For the Reverend Martin Luther King, sing". Pride was inspired the the civil rights activist - that particular line comes from the live version of Pride on Rattle and Hum.

Stand Up Comedy


References the famous French soldier Napoleon and his wife Josephine.

Peace on Earth


Inspired by the Real IRA Omagh bombing in Northern Ireland on 15 August 1998. The song lists the names of people killed in the bombing. Similarly, inspiration for the lyric, "She never got to say goodbye / To see the colour in his eye / Now he's in the dirt" comes from the funeral of Barker, another victim of the bombing. Other bomb victims named were Sean, Julia, Gareth, Anne, and Brenda.

Dirty Day


Whilst not directly referenced but the liner notes of Zooropa showed the song was dedicated to Charles Bukowski.

Who have I missed?


Song TitlePerson ReferencedContext
"MLK"Martin Luther King Jr.Tribute to Martin Luther King Jr., focusing on peace and dreams of a better future.
"Pride (In the Name of Love)"Martin Luther King Jr.Inspired by the civil rights leader; live versions explicitly dedicate it to him with the line, "For the Reverend Martin Luther King, sing."
"Angel of Harlem"Billie Holiday, John Coltrane, Miles DavisTribute to Billie Holiday, with additional musical references highlighting jazz legends.
"One Tree Hill"Victor JaraHonors the Chilean activist and musician executed under Pinochet's regime, symbolizing the fight for justice.
"God Part II"John Lennon, Albert GoldmanWritten as a sequel to Lennon’s “God”; references Bono’s anger at Goldman’s controversial biographies of Lennon and Elvis.
"Elvis Ate America"Elvis Presley, Lisa Marie Presley, Johnny Cash, Michael JacksonName-drops numerous cultural icons, blending critique and admiration; also references Hitler, Nixon, and Christ.
"Stand Up Comedy"Napoleon, JosephineReflects on power and relationships, invoking the famous French leader and his wife.
"Peace on Earth"Victims of Omagh bombingInspired by the 1998 Omagh bombing, explicitly naming victims (e.g., Sean, Julia, Gareth, Anne, Brenda).
"Dirty Day"Charles BukowskiNot directly referenced but the liner notes dedicate the song to Bukowski’s raw and reflective style.
"The Sweetest Thing"Ali HewsonWritten as an apology after Bono missed her birthday, the song is both regretful and celebratory, highlighting the depth of their relationship.
"With or Without You"Ali HewsonCaptures the tension between Bono’s role as a global rock star and his commitment to Ali, revealing the sacrifices of love and ambition.
"All I Want Is You"Ali HewsonA heartfelt declaration of enduring love, often interpreted as Bono’s ode to Ali and their lifelong bond.
"Wild Honey"Ali HewsonA cheerful love song reflecting the simplicity and joy Bono associates with his relationship with Ali.
"Miss Sarajevo"Inela NogićReferences the Miss Sarajevo pageant held during the Bosnian War, symbolizing resilience amidst suffering.
"Van Diemen's Land"John Boyle O'ReillyTribute to the Irish poet and activist exiled to Australia for his revolutionary activities.
"Iris (Hold Me Close)"Iris Hewson (Bono’s mother)Tribute to Bono’s mother, expressing the loss and her lasting influence on his life.
"Breathe"Aung San Suu KyiInspired by the Burmese leader, focusing on themes of resilience and hope.
"The Playboy Mansion"Michael JacksonCritiques fame and materialism, mentioning Jackson in the context of societal excesses.
"The Miracle (Of Joey Ramone)"Joey RamoneTribute to Joey Ramone, celebrating the influence of punk rock on U2.
"Cedarwood Road"Guggi (childhood friend)Describes Bono’s childhood bond with Guggi, centered on shared formative experiences.
"When Love Comes to Town"Jesus ChristReflects on human culpability in Christ’s crucifixion, weaving in gospel themes.
"Silver and Gold"Nelson Mandela (indirect)Written for the anti-apartheid movement, indirectly inspired by Mandela’s activism.


U2 song lyrics that reference Elvis

In U2’s evocative meditations on American music, Elvis Presley emerges as a towering figure—equal parts rebel and relic—whose influence looms large in tracks like “Elvis Ate America” from the Passengers project. 

Bono’s lyrics unravel the myth and mania surrounding Elvis, casting him as an emblem of American culture’s obsession with fame, consumption, and self-destruction. 

Lines like “Elvis Ate America” capture a biting critique of America’s need to idolize, commodify, and ultimately consume its icons, with Elvis at the heart of this paradox.

U2 songs lyrics that reference Elvis

Bono’s reflections reveal a profound empathy for Elvis, seeing him as both a revolutionary and a tragic figure—an artist whose charisma and groundbreaking sound reshaped popular music yet left him captive to his own myth. 

Bono frames Elvis’s life as a cautionary tale about the corrosive nature of fame, where the pursuit of the American dream becomes inseparable from self-destruction. Elvis’s journey, as Bono sees it, illustrates the price of cultural iconography: the way public adoration can elevate an artist to mythic status while also consuming the very humanity that made them remarkable.

Elvis Ate America

Elvis Ate America,” a standout track from U2’s Passengers project, embodies a playful yet incisive homage to the interplay between two monumental figures in American music: Elvis Presley and Johnny Cash. The song unfolds almost as a stream-of-consciousness rant from Bono, capturing the chaotic spirit of rock 'n' roll while exploring themes of identity and influence. One of the most striking lines, “Elvis would have been a sissy without Johnny Cash,” succinctly encapsulates Bono's assertion that Cash's rugged authenticity and profound connection to country music provided a counterbalance to Elvis’s flamboyant persona. 

This lyric underscores the importance of Cash’s influence, suggesting that without the grounded, raw power of Cash’s artistry, Elvis's iconic status might not have had the same depth. By framing the discussion within this dynamic, Bono highlights how the evolution of American music is shaped by the interplay of various artists and genres, each contributing to the cultural narrative in unique ways. 

A Room at the Heart Break Hotel

Whilst not specifically about Elvis, the song is a direct reference to Heartbreak Hotel - a song which Elvis famously sang about.

Fans of the Rattle and Hum album might be interested to know that U2 recorded song tracks for for the album at Sun Studios in Memphis, where Elvis famously recorded. Room at the Heartbreak Hotel was a b-side to Angel of Harlem  single from Rattle and Hum.

Elvis Presley and America

Apparently this was a letter of sorts from Bono to Lisa Marie, Elvis's daughter.

Bono's connection to Elvis Presley and America is poignantly encapsulated in a heartfelt letter he penned to Lisa Marie Presley, Elvis's daughter, in the Propagana fanzine. In this letter, Bono expresses his admiration for Elvis as an iconic figure who shaped not only the landscape of American music but also the cultural identity of the nation. 

He reflects on the profound impact Elvis had on the world, highlighting how the King's unique blend of rock, rhythm, and soul resonated deeply with audiences and transcended racial and social boundaries. 

Bono emphasizes Elvis's role as a symbol of hope and rebellion, embodying the spirit of a generation that sought freedom and self-expression during a time of social upheaval. This letter serves as a testament to the enduring legacy of Elvis Presley and his indelible mark on American culture, illustrating how his music continues to inspire artists and fans alike, even decades after his passing.

+ Two Elvis Covers


Unchained Melody" may simply be a famous Elvis cover song, but its iconic status cannot be denied!

Likewise, "Can't Help Falling in Love" stands as another beloved cover that showcases Elvis's ability to imbue classic songs with his unique emotional depth and charisma. Both tracks are enduring tributes to his talent, highlighting the timeless quality of his interpretations and their lasting impact on the music landscape.

Iris (Hold Me Close) song lyrics by U2

Tuesday, September 9, 2014
U2 album cover larry and his son
Iris should not be confused with the popular 1990's song 'Iris' by the Goo Goo Dolls

You could be forgiven for this though as that song also appeared on the City of Angels soundtrack with U2's If God Will Send his Angels.

Iris is directly inspired by Bono's mother, Iris Hewson. Bono has previously referenced Iris in Tommorrow from the October album.

The song contains contains a cute reference to Kraftwerk. Bono said 'My mother [died] just as I was discovering girls. One of the girls I was discovering was Ali... she arrived at Mount Temple in the same month. The first lover’s gift I gave Ali was a Kraftwerk album called The Man Machine. So I referred to that.' with the line "It was you made me your man/Machine.’

Songs of Innocence was released, through sheer coincidence, 40 years to the day that Iris died.

Bono also noted to Rolling Stone Magazine that he was later inspired to rewrite part of the song after being deeply moved by the late ISIS hostage James Foley's letter to his family. "I realized," Bono says, "that we will all be remembered, and we remember our loved ones, by the least profound moments. The simplest moments. In the letter he says to his brother, 'I remember playing werewolf in the dark with you.'

Iris (Hold Me Close)  song lyrics by U2

The star that gives us light
Has been gone a while
But it’s not an illusion
The ache in my heart
Is so much a part of who I am

Something in your eyes
Took a thousand years to get here
Something in your eyes
Took a thousand years, a thousand years

Hold me close
Hold me close and don’t let me go
Hold me close
Like I’m someone that you might know
Hold me close
The darkness just lets us see
Who we are
I’ve got your life inside of me

Iris, Iris

Once we are born
We begin to forget
The very reason we came
But you I’m sure I’ve met
Long before the night
The start went out
We’re meeting up again

Hold me close
Hold me close and don’t let me go
Hold me close
Like I’m someone that you might know
Hold me close
The darkness just lets us see
Who we are
I’ve got your life inside of me

Iris, Iris

The start are bright
But do they know
The universe is beautiful but cold
You took me by the hand
I thought that I was leading you
But it was you made me your man
Machine, I dream where you are
Iris standing in the hall
She tells me I can do it all
Iris wakes to my nightmare
Don’t fear the world
It isn’t there

Iris playing on the strand
She buries the boy beneath the sand
Iris says that I will be the death of her
It was not me

Iris, Iris
She said free yourself to be yourself
If only you could see yourself
Free yourself to be yourself
If only you could see

-

The song, steeped in emotional vulnerability, reveals Bono’s persistent grappling with the absence of maternal presence in his life. Through the repetition of the phrase “Hold me close,” Bono reflects the deep-seated desire for closeness, both physical and emotional, that never had the chance to mature due to his mother’s early death. The verses are laced with rich imagery, from the “freezing rain” that mirrors the numbness of loss, to the light his mother represents, a beacon guiding him through the darkness. The juxtaposition of grief and longing with the ethereal imagery of light and stars creates a tension that underscores the paradox of losing someone so intimately tied to your sense of self, yet still feeling them in every corner of your existence.

The song also functions as an exploration of memory’s power to both heal and haunt. 

Bono navigates the complex terrain of reconciling his life without Iris, while acknowledging the indelible mark she left on his spirit. In lines like “The ache in my heart is so much a part of who I am,” there’s an acceptance that his pain and identity are inextricably linked. The Edge’s shimmering guitar work, with its delicate reverb, serves as an echo of that emotional longing, almost as if the music is searching for resolution, much like Bono’s heart. 

U2 have written a of songs which make references to parents. A notable effort was Sometimes You Can't Make It On Your Own from the  All That You Can't Leave Behind album.

The Miracle (of Joey Ramone) song lyrics by U2

The Miracle is the first song from U2's album Songs of Innocence.

It's an ode to U2's love of the Ramones, a band they consider very influential on the themselves. U2 have previously covered Beat on the Brat by the Ramones and the song, In a Little While from All That You Can't Leave Behind was also dedicated to Joey Ramone following his death.

The Miracle (of Joey Ramone) song lyrics by U2

Marky Ramone, a longtime Ramones Drummer said of the track 'I’m very grateful U2 wrote a song about my former friend and bandmate Joey Ramone. Joey would have been honored. It is well-deserved.'

The song was produced by three players Danger Mouse, Paul Epworth and Ryan Tedder.

The Miracle (of Joey Ramone) song lyrics by U2

Joey Ramone singing in a leather jacket
Joey Ramone
I was chasing down the days of fear
Chasing down a dream before it disappeared
I was aching to be somewhere new
Your voice was all I heard
I was shaking from a storm in me
Haunted by the spectors that we had to see
Yeah, I wanted to be the melody
Above the noise, above the herd

I was young, not dumb
Just wishing to be blinded
By you, brand new
And we were pilgrims on our way

I woke up at the moment when the miracle occurred
Heard a song that made some sense out of the world
Everything I ever lost now has been returned
The most beautiful sound I ever heard

We've got language so we can communicate
Religion so I can love and hate
Music so I can exaggerate my pain
And give it a name

We can hear, we can hear
We can hear, ooh

I woke up at the moment when the miracle had come
I get so many things I don't deserve
All the stolen voices may some day be returned
The most beautiful sound I ever heard

And your voices will be heard
And your voices will be heard

Check out the lyrics to The Troubles, also from Songs of Innocence.

U2's B-Side "Spanish Eyes" lyrics

Saturday, September 3, 2011
U2's "Spanish Eyes" b-side lyrics


U2's "Spanish Eyes" b-side lyrics


Spanish Eyes was the b-side to the very popular single from The Joshua Tree, I Still Haven't Found What I'm Looking For


The meaning in Bono's lyrics is suggestion that the Irish have Spanish heritage in their ancestry (whether DNA based or not). Bono is really making a simple love song with a focus on eyes, as is custom for many songs.

Spanish Eyes Lyrics


Hey, hey, baby hang on
Baby hang on

Hang to your heart
Beat tight like a drum set
Hang on to your love
See it shine like a song
Hey, hey, baby hang on

Our love it shines like rain
In those spanish eyes, spanish eyes

Hey, hey, here she comes
Comes in colours
You know she gonna turn the daylight on
Cause I love the way you talk to me
And I love the way you walk on me
And I need you
More than you need me
Our love, shines like rain
In those spanish eyes, spanish eyes

Across the world
For green and gold
It's those spanish eyes
That get me home
Home again

Hey, hey, baby hang on
Hey, hey, you know that
The night is young
Dazzled by lights that
Shine in your eyes
I'm standing in the shadows
And wait for the night
Forever in fever
Forever in heat
You pick me up to put me out on the street

Hey, hey, baby hang on, hang on
Hey, hey, baby hang on, hang on
Cause I love the way you talk to me
And I love the way you need me
And I need you
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