Showing posts with label the unforgettable fire lyrics u2. Show all posts
Showing posts with label the unforgettable fire lyrics u2. Show all posts

U2 - The Unforgettable Fire album lyrics

Sunday, August 28, 2011
"The Unforgettable Fire," U2's fourth studio album, released in 1984, marks a significant shift in the band's musical and lyrical direction, showcasing a transition from the post-punk fervor of their early work to a more atmospheric and experimental sound.
 
'The Unforgettable Fire' album lyrics by U2

With a more ambient or abstract sound than War, this album produced by Brian Eno and Daniel Lanois, is notable for its ambient, texture-rich arrangements, which create a backdrop for some of U2's most evocative and introspective lyrics. 

This album diverges from the overtly political messaging of their earlier work in War and Boy, moving towards a more nuanced exploration of personal and historical themes. The title track, "The Unforgettable Fire," draws inspiration from the atomic bombings of Hiroshima and Nagasaki, symbolizing the duality of human capability for both creation and destruction. This theme of duality extends to other tracks, such as "Pride (In the Name of Love)," which serves as a tribute to Martin Luther King Jr. and the broader struggle for civil rights, blending personal heroism with collective historical memory.

The album frequently delves into the realm of the spiritual and the mystical, evident in songs like "A Sort of Homecoming" and "Bad," which convey a sense of longing, spiritual yearning, and the complex journey towards self-discovery and redemption. Moreover, "The Unforgettable Fire" explores the theme of romantic and existential angst, particularly in tracks like "Promenade" and "4th of July," where the lyrical ambiguity invites a multitude of interpretations.

The atmospheric production by Brian Eno and Daniel Lanois plays a crucial role in shaping the album's ethereal and emotive quality, making "The Unforgettable Fire" a transformative work in U2's discography that balances introspection with broader, universal themes, resonating with listeners on a deeply personal level.

'The Unforgettable Fire' album lyrics by U2

1. "A Sort of Homecoming"
2. "Pride (In the Name of Love)"
3. "Wire"
4. "The Unforgettable Fire"
5. "Promenade"
6. "4th of July" 
7. "Bad"
8. "Indian Summer Sky"
9. "Elvis Presley and America"
10. "MLK"

The album's title track, "The Unforgettable Fire," serves as a centerpiece for this exploration. Inspired by an art exhibit about the atomic bombing of Hiroshima, the song reflects on the paradox of beauty and destruction, a theme that resonates throughout the album. Other tracks like "Pride (In the Name of Love)," one of U2's most renowned songs, delve into historical and sociopolitical territory, paying homage to Martin Luther King Jr. and his legacy of non-violent protest in the civil rights movement. 

This blend of the personal with the political is a hallmark of U2's songwriting, and "The Unforgettable Fire" exemplifies their ability to balance introspective lyrics with broader, universal themes.

B-sides + rarities from The Forgettable Fire

"Boomerang II" Lyrics U2

Sunday, October 25, 2009


"Boomerang II" Lyrics U2

Boomerang is from the recording sessions of The Unforgettable Fire and was used as the B-side to the big single, Pride. There was also an instrumental called Boomerang I.

Boomerang II lyrics:

Soul wind blow
Soul wind blow
Under her skin I hear her love him
Under her love at peace within
Under her hands that which I'm needing
Under her eyes I glimpse her love

Soul wind blow
Soul wind blow
Soul wind blow
Soul wind blow
Under her time I think I'm within
Under her lie I hear her love
Under her love I hear nothing
Under her eyes I disappear

Soul wind blow
Soul wind blow
Soul wind blow
Soul wind blow
Under the sky I'm pointing there
Under the power, baby

You say run away
Throw me away
Throw me away

In the drift we've come
In the drift we go
In the drift we've come
In the drift we go

Soul wind blow
Soul wind blow
Soul wind blow
Soul wind blow
Under her skin I feel loving
Under her sign there is no fear
Under her hands, that which I'm holding
Under her eyes I disappear

Soul wind blow
Soul wind blow
Soul wind blow
Soul wind blow

In the drift we've come
Soul wind blow
In the drift we go
Soul wind blow
In the drift we've come
Soul wind blow
In the drift we go
Soul wind blow
In the drift we've come
Under her
In the drift we go
Under her
In the drift we've come
Under her
In the drift we go
Under her
Soul wind blow
Soul wind blow
Under her hands
Soul wind
Some day throw me away
Fade it away
Throw it away

In the drift we've come
In the drift we go
In the drift we've come
In the drift we go
In the drift we've come
Soul wind blow
In the drift we go
Soul wind blow
In the drift we've come
Soul wind blow
In the drift we go
Soul wind blow
In the drift we've come
In the drift we go

Check out the song:


Sixty Seconds in Kingdom Come

Monday, September 28, 2009
"Sixty Seconds in Kingdom Come" is an instrumental by U2. It is from The Unforgettable Fire recording sessions. It has been re-released as part of the new re issuing of the album.

Obviously then, the song being an instrumental means there are no lyrics.

"Disappearing Act" Lyrics U2

disappearing act lyrics by u2
The Unforgettable Fire cover artwork - featuring Slane Castle

"Disappearing Act" Lyrics U2


Disappearing Act is a new song that was released by U2 as part of the reissue of The Unforgettable Fire album.

The music is from the original recording sessions with Bono adding new vocal tracks to the song for the reissue - so it's a true mix of old and new. The song used to be known as "White City".

The introduction is classic The Edge style soaring guitars, reminiscent of the I Still Haven't Found What I'm Looking For chord progression but a little faster.

Bono makes a reference to lepers in the head - a line he recycled for U2's 'One'.

Note too, the line similarity in the Disappearing Act lyric 'lovers in your beds' and 'lepers in your head' that made it on to the One track and the similar themes Bono is exploring in both songs.

Disappearing Act Lyrics:


You do your disappearing act x 2

Silence
I know I could get used to this
Cunning
Your scent is something I'm not going to miss
Excite
It's a small price to pay for bliss
Alone
Like a painter's dog without a bone
When there's only one thing you need to own
And that is hunger
Hunger itself

I know we'll pick and wrench
Your night just ripped and it is torn to shreds
From all the lovers taken to your beds
They're empty now
And you think that you can love
And you think that you can love
And you think that you can love
Someone into home

You do your disappearing act
You do your disappearing act

Jealousy
It's not what it's cracked up to be
Envy
Gets you where you need to be
Alone
Rather the river than your stepping stones
Leave the graveyard before you turn to bones
I'm tragic, your comedy
Oh, baby doll
The dogs are barking, they need to be fed
All of the lepers your let in your head
Is it empty now
'Cause you think you can love
And you think that you can love
And you think that you can love
Someone into home

You do your disappearing act x 2

Check out Yoshino Blossom which was also released as part of the 25th Anniversary rerelease of The Unforgettable Fire.

Other pages you may be interested in:

"Yoshino Blossom" Song Lyrics by U2

"Yoshino Blossom" Song Lyrics by U2


"Yoshino Blossom" Lyrics U2

Yoshino Blossom is a new song that was released by U2 as part of the reissue of The Unforgettable Fire album. The song itself is an instrumental so there are no lyrics!

Yoshino Blossom presumably refers to the Japanese Cherry Blossoms and this is perhaps the clue that the instrumental is to evoke ideas of the atomic bombs being dropped on Japan and hence U2 using the title for the album and the song, The Unforgettable Fire.

The actual Unforgettable Fire was an art exhibition which reflected on the effects of the bombs.

Also released at the same time as this song was Disappearing Act.

U2 would later revisit the topic of the Atomic Bomb with the album How To Dismantle An Atomic Bomb.

Check out some more pages on the meaning of U2 lyrics: U2 lyrics that explore Jesus, Yahweh and The Good Book, how Elvis was the King, or U2 songs that name check real people.

MLK Song Lyrics by U2

Saturday, August 8, 2009
MLK Song Lyrics by U2

"MLK," the final track on U2’s The Unforgettable Fire, stands as a second (Pride) solemn and reverential tribute to Dr. Martin Luther King Jr., reflecting Bono’s admiration for the civil rights leader's message of peace, nonviolence, and social justice. 

Written as a simple, almost hymn-like lullaby, the song's sparse lyrics and minimalist musical arrangement serve to emphasize the quiet power of King’s legacy rather than the tragic nature of his assassination. Bono’s intention was not to dwell on the violence surrounding King’s death, but rather to evoke the sense of hope and moral clarity that King represented. 

The lyrics, “Sleep, sleep tonight / And may your dreams be realized,” suggest a longing for the fulfillment of King’s vision—a world where equality, justice, and love triumph over division and hatred. In a sense, "MLK" functions as a prayer, asking for peace not just in King’s memory, but as a living, ongoing goal. 

The song’s simplicity mirrors the purity of King’s message, offering a moment of reflection at the end of The Unforgettable Fire, which is otherwise marked by sonic experimentation and complexity.


"MLK" Song Lyrics by U2

Sleep, sleep tonight
And may your dreams be realised
If the thunder cloud passes rain
So let it rain, rain down on he
So let it be
So let it be
Sleep, sleep tonight
And may your dreams be realised
If the thunder cloud passes rain
So let it rain, let it rain
Rain down on he
-

Bono’s thematic stance in "MLK" reveals a deep admiration for King’s unwavering commitment to nonviolence and moral courage, qualities that align with U2's broader political and spiritual ethos. The band had long been drawn to figures who championed justice and spoke out against oppression, and King became a symbol of those ideals within their work. 

While Bono’s lyrics are often rooted in political and social commentary, "MLK" stands apart for its restrained tone and meditative simplicity. The song avoids overt political rhetoric, opting instead for a universal appeal to human decency and a quiet tribute to a figure whose work transcended individual moments of activism and became a symbol of enduring hope. King's influence on Bono and U2 is not only evident in "MLK" but also in other songs like “Pride (In the Name of Love),” where the band explicitly celebrates King's sacrifice. In both songs, Bono emphasizes King’s spiritual significance, positioning him not just as a political leader, but as a moral beacon, whose legacy continues to inspire movements for justice and peace around the world.

U2 often have used icons from american culture as a feature of their lyrics.

"Elvis Presley And America" song lyrics by U2

"Elvis Presley And America" song lyrics by U2
“Elvis Presley and America” is one of U2's most enigmatic tracks, both musically and lyrically, standing as a reaction to Albert Goldman's controversial biography of Elvis Presley. Goldman, a polarizing figure in rock journalism, was known for his sensationalized and often unflattering portrayals of cultural icons, and his biography of Presley painted the King of Rock and Roll as a tragic figure, diminished by excess and self-destruction. Bono, deeply moved by Elvis's significance in American music and culture, wrote “Elvis Presley and America” as a counterpoint to Goldman's critical narrative. 

Rather than focusing on Presley’s flaws and eventual downfall, Bono evokes a sense of empathy and reverence for the larger-than-life figure, framing Elvis not just as a casualty of fame, but as a symbol of America’s fractured identity. 

The lyrics, delivered in a stream-of-consciousness style, capture the emotional ambiguity of Elvis's legacy—one shaped by fame, loss, and the burden of myth that often overshadows the human being behind the icon. Bono's improvisational vocal delivery on the track mirrors the rawness and vulnerability he attributes to Presley’s life, an embodiment of the idea that behind the American Dream lies the struggle for meaning in the face of celebrity and commodification.

"Elvis Presley And America" song lyrics by U2

Black flash
Black flash over my own love, tell me of my eyes
Black flash come though my own life, telling these things
And I believe them and I believe in you
White flash sees the sky and it turns its side from you
She won't turn my back and I know you turn so blue
And you know and your sky is feeling blue
And your heart, so cold when I'm with you
And you feel like no one told you to
And your time is your side and your time with me

Ah, don't talk to me
Ah, don't talk to me
Don't talk to me

You know like no one told you how
But you know though the king that howls has howled
But you feel like sentimental but you don't care
If I just share it in your heart
Heart

Hopelessly, so hopelessly
I'm breaking through for you and me
And you don't though no one told you to
And you found out where you were going
Where to
You're through with me

But I know that you will be back for more
You know and though no one told you so
And you know, blue sky like a harder shade of blue
And you walk when you want to let go
Me, I'm the outside, tell me fade away

Drop me down but don't break me in your sleep
In your sleep, inside it's in your heart and mine
Whole sea is dark, it's in your heart and mine
Sweetly, those will come
Loving is on your side walking through
So let me in your heart
Your beat is like something
They run

See say you're sad and reach by
So say you're sad above beside
Oh stay you're sad over midnight
So stay sad above we said

You know I don't, no one told you how
And you don't and you wipe sweat off your white brow
And you care and no one told you tried
And your heart is left out from the side
And the rain beats down and the shame goes down
And this rain keeps on coming down
And this sky tonight

You know "S" "O" "N" "G", why
You're going go join to God
You know "S" "O" "N" "G", why
Give away some him no lie
Give away some my de day no

You know and though no one told you sky
And you feel like you pretend you can
You say go, you live, go live outside of me
Don't you leave, don't leave out part of me
Then can feel like I feel before
Like I hurt now and I see the floor
If you pick me up, bits and pieces on this floor

-

Bono’s thematic stance in “Elvis Presley and America” reveals his deep concern with how cultural figures are portrayed in the media, often reduced to tabloid fodder and sensationalized biographies. His critique of Goldman’s work reflects a broader concern with how the legacies of rock and roll legends are shaped by the narratives of those who write their histories. This theme of challenging reductive portrayals reappears in “God Part II” from Rattle and Hum, where Bono explicitly calls out Goldman once again, this time in relation to his biography of John Lennon. Bono’s disillusionment with Goldman’s depiction of these musical giants reflects his larger perspective on fame, artistic legacy, and the destructive power of media narratives. 

Elvis, for Bono, represents both the idealism and tragedy of the American experience—an artist who embodied the contradictions of the country itself, where innocence and excess, beauty and decay, coexist. Through "Elvis Presley and America," Bono critiques the forces that distort and commodify cultural figures, while simultaneously offering a more compassionate, humanizing view of Presley’s life, one shaped not by his failings, but by the complex pressures of the world in which he lived.

This was the first song U2 wrote about Elvis, the second was Elvis Ate America from the Passengers album - in it, Bono described Elvis as a 'white n-word'.

"Indian Summer Sky" Song Lyrics by U2

In "Indian Summer Sky," U2 conjures a sense of yearning and spiritual displacement, channeling the unsettling tension between human longing and the natural world. The lyrics, much like the ambient, atmospheric production of The Unforgettable Fire, reflect a deep desire for liberation from the confines of an oppressive urban existence, while searching for a higher, more transcendent state of being. Bono’s lyrics—"To lose along the way / The spark that set the flame"—speak to a spiritual malaise, a loss of inner fire, and a yearning to return to something pure and elemental.

The contrast between the "city" and the "sky" is symbolic of this tension, with the city representing the material, constructed world that stifles the soul, while the open sky embodies freedom, vastness, and a connection to the divine. U2 creates a sonic and lyrical duality, blending the bleakness of modernity with the optimism of transcendence, captured through Bono’s impassioned vocals and The Edge's shimmering guitar lines that echo the vast, open spaces the song longs for.

"Indian Summer Sky" Song Lyrics by U2

The natural imagery, particularly the titular "Indian Summer Sky," serves as a powerful metaphor for fleeting moments of clarity and beauty in an otherwise suffocating environment. The idea of an "Indian summer" traditionally refers to an unseasonably warm period, an anomaly in the weather cycle, mirroring the ephemeral nature of spiritual insight that the song grapples with.

Bono pleads, "In the clouds of sin, you look but you don't see," alluding to the blindness that comes from being mired in worldly distractions and the inability to recognize moments of grace when they appear. In this, the song echoes some of the existential reflections of Rainer Maria Rilke or even T.S. Eliot, poets who delved deeply into the human condition's spiritual dissonance.

"Indian Summer Sky" Song Lyrics by U2

In the ocean cuts ring deep, the sky
Like there, I don't know why
In the forest there's a clearing
I run there towards the light
Sky, it's a blue sky
In the earth a hole dig deep, decide
If I could I would
Up for air to swim against the tide
Up towards the sky
It's a blue sky

To lose along the way the spark that set the flame
To flicker and to fade on this, the longest day

So wind go through to my heart
So wind blow through my soul
So wind go through to my heart
So wind blow through my soul
So wind go through to my heart
So wind blow through my soul

You give yourself to this the longest day
You give yourself, you give it all away

Two rivers run too deep, the seasons change and so do I
The light that strikes the tallest trees
The light away for I
The light away, up toward the sky
It's a blue sky

To lose along the way the spark that set the flame
To flicker and to fade on this, the longest day

So wind go through to my heart
So wind blow through my soul
So wind go through to my heart
So wind blow through my soul
So wind go through my heart
So wind blow through my soul
So wind go through to my heart
So wind blow through my soul

You give yourself to this the longest day
You give yourself, you give it all away

-

At its core, "Indian Summer Sky" is a song about the clash between human artifice and the raw, untamed forces of nature—both external and internal. It channels the post-punk urgency that U2 had previously honed, but layers it with the atmospheric experimentation that would become central to their evolving sound. Bono’s cry to "send me home" is not simply a plea for physical escape, but for spiritual redemption, for a return to a state of innocence and communion with the natural world. The song’s conclusion, with its repetitive "under an Indian summer sky," lingers like an unresolved prayer, suggesting that the search for meaning, for a place of belonging, remains open-ended. 

Other U2 songs that explore themes similar to "Indian Summer Sky" reveal the band’s ongoing fascination with the tension between spiritual longing, personal liberation, and the natural world as a means of transcendence. In "Bad" from The Unforgettable Fire, Bono wrestles with addiction and the struggle for freedom from inner turmoil, using evocative language about breaking away from what confines the soul. "Running to Stand Still" from The Joshua Tree similarly explores themes of despair and escape, with its stark portrayal of urban decay juxtaposed against a yearning for renewal, much like the tension between the city and sky in "Indian Summer Sky." 

Another striking parallel can be found in "Tomorrow" from October, where Bono reflects on loss and the spiritual hope for reunion, using the weather and seasons as metaphors for human vulnerability and the search for meaning. 

"In God’s Country," also from The Joshua Tree, reflects on America’s vast landscapes as a symbol of both promise and spiritual barrenness, echoing the conflict between the material world and the idealized, open spaces of nature found in "Indian Summer Sky." Lastly, "The Wanderer" from Zooropa, with Johnny Cash on vocals, shares a similar existential exploration, where a man searches for God amidst the ruins of a broken, alienating world, invoking both nature and faith in a way that resonates with U2’s consistent thematic exploration of freedom, disillusionment, and transcendence.

"Bad" Song Lyrics by U2

“Bad,” one of U2’s most emotionally charged and lyrically powerful songs, delves into the raw, harrowing experience of addiction and the longing for freedom from its grip. 

Bono’s lyrics reflect a deep empathy for those caught in cycles of self-destruction, particularly inspired by the heroin epidemic that devastated parts of Dublin in the early 1980s

The song’s opening line, “If you twist and turn away, if you tear yourself in two again,” sets the tone for a narrative of inner struggle and personal torment. There is an implicit desperation in these words, as though the speaker is addressing someone teetering on the edge, torn between self-harm and the possibility of redemption. 

"Bad" Song Lyrics by U2The lyrics in “Bad” also carry a deep sense of yearning for release, not just from addiction, but from the broader pain of being human. Bono’s words are intentionally open-ended, allowing listeners to project their own struggles onto the song’s haunting imagery. 

Phrases like “I’m wide awake, I’m not sleeping” suggest a state of heightened awareness—being awake to one’s suffering but powerless to stop it. The idea of sleep here becomes symbolic of both peace and escape, something the speaker desperately craves but cannot reach. 

The refrain, “Let it go,” repeats like a mantra, expressing the desire for catharsis, for the weight of addiction or sorrow to be lifted. Yet, the song never quite reaches resolution, capturing the endless push and pull between hope and despair.


"Bad" Song Lyrics by U2 from The Unforgettable Fire

If you twist and turn away
If you tear yourself in two again
If I could, yes I would
If I could, I would let it go
Surrender, dislocate

If I could throw this lifeless
Lifeline to the wind
Leave this heart of clay
See you walk, walk away
Into the night
And through the rain
Into the half-light
And through the flame

If I could through myself
Set your spirit free
I'd lead your heart away
See you break, break away
Into the light
And to the day

To let it go
And so to fade away
To let it go
And so fade away

I'm wide awake
I'm wide awake
I'm not sleeping
Oh, no, no

If you should ask then maybe
They'd tell you what I would say
True colours fly in blue and black
Bruised silken skies and burning flack
Colours crash, collide in blood shot eyes

If I could, you know I would
If I could, I would let it go

This desparation
Dislocation
Separation
Condemnation
Revelation
In temptation
Isolation
Desolation

Let it go
And so to fade away
To let it go
And so fade away

Oh, no
I'm wide awake
I'm wide awake
I'm not sleeping
Oh, no no

-

At its core, “Bad” is a lyrical exploration of the human desire for transcendence—of breaking free from the chains that bind us, whether they be addiction, pain, or emotional entrapment. The lines, “To lose you, to be you,” evoke a paradox, suggesting that in losing oneself to addiction or suffering, there’s also a profound loss of identity. 

Yet, within that loss, there is also the potential to rediscover oneself, to be reborn or freed. The ambiguity of these phrases reflects the complexity of the battle between self-destruction and recovery, between giving in and fighting back. Ultimately, the song is a compassionate plea for release, imbued with both sorrow for the pain endured and a glimmer of hope that freedom is possible, even if just beyond reach.

About that Live Aid performance...

U2’s performance of “Bad” at Live Aid in 1985 became one of the most defining moments of the band’s career, elevating them to global prominence through an act of pure emotional connection. During their set, Bono famously extended the song by nearly ten minutes, starting with a few bars of Lou Reed's Satellite of Love before breaking from the band’s planned performance to jump into the crowd and pull a young woman from the audience for an impromptu dance. This unscripted moment of intimacy and compassion epitomized the song’s themes of yearning and release, transforming a concert spectacle into a deeply personal experience shared by millions. Bono finished with a nod to The Rolling Stones' 'Ruby Tuesday crossed with Sympathy for the Devil and finally finished with Lou Reed's Walk of the Wild Side. 

The spontaneity not only highlighted U2’s ability to connect with their audience on an emotional level but also reinforced “Bad” as a song about breaking free—whether from addiction, pain, or the barriers between performer and audience. 

Feel the needle chill....

Running to Stand Still,” from U2's The Joshua Tree, shares a profound thematic connection with “Bad,” as both songs delve into the painful realities of addiction and the emotional turmoil it inflicts on individuals and their relationships. In “Running to Stand Still,” Bono vividly narrates the story of a couple trapped in the cycle of heroin addiction, capturing their struggle and despair through evocative imagery that highlights the suffocating nature of their circumstances. Like “Bad,” the lyrics convey a sense of yearning for freedom and the longing for a life beyond the grip of substance abuse. Both songs emphasize the devastating impact of addiction on personal identity and connection, illustrating how the pursuit of escape often leads to deeper entrapment, ultimately calling for empathy and understanding in the face of such struggles.

Bad also featured on the aptly named U2 EP, Wide Awake in America.

"4th Of July" (instrumental) Lyrics



"4th Of July" (instrumental)

This is an instrumental track so accordingly there are no lyrics.

The song is an instrumental track and has never been performed live, although Adam Clayton did play it as a warm-up during a soundcheck before U2's concert in San Jose on 20 April 2001.

"4th of July" came about almost entirely through a moment of inspiration from Eno. At the end of a studio session, Eno happened to overhear Adam Clayton doodling on a simple bass figure; he liked what he was hearing, so recorded it ad hoc as it was being played. Guitarist The Edge happened to join in, improvising a few guitar ideas over the top of Clayton's bass; neither knew they were being recorded. Eno added some treatments and then transferred the piece straight to two-track master tape—and that was the song finished, with no possibility of further overdubs.

It is the only instrumental song on a regular full-length U2 album (not including Original Soundtracks 1). It was frequently used as the last song played before U2 took the stage during the Unforgettable Fire Tour.

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