U2 songs that 'name check' or reference real people

U2 has consistently demonstrated a profound connection to the world beyond their music, often weaving social, political, and personal narratives into their songwriting.

These direct mentions serve various artistic purposes, ranging from heartfelt tributes to influential figures and personal acquaintances to reflections on historical events and reactions to contemporary culture.

By analyzing these lyrical choices, a deeper understanding of U2's artistic vision and their engagement with history, culture, and personal experience emerges.

The deliberate act of naming specific individuals in their lyrics anchors U2's often expansive and spiritually inclined songs in a tangible reality, fostering a stronger connection with listeners through relatable human stories and legacies.

Song Title	Named / references Person(s)	Album/Single	Year of Release	Reason for Reference
Pride (In the Name of Love)	Martin Luther King Jr.	The Unforgettable Fire	1984	Tribute to his fight for civil rights and non-violent resistance.
MLK	Martin Luther King Jr.	The Unforgettable Fire	1984	Elegy and reflective tribute to the civil rights leader.
Angel of Harlem	Billie Holiday	Rattle and Hum	1988	Celebration of her legacy as a jazz singer and her connection to Harlem.
One Tree Hill	Greg Carroll, Víctor Jara	The Joshua Tree	1987	Remembrance of a deceased friend and honor to a martyred activist and singer-songwriter.
God Part II	Albert Goldman	Rattle and Hum	1988	Direct criticism of his biographies of musicians, particularly Elvis Presley and potentially John Lennon.
Elvis Presley and America	Elvis Presley	The Unforgettable Fire	1984	Reaction to an unflattering biography of the iconic singer by Albert Goldman.
The Ballad of Ronnie Drew	Ronnie Drew	Single	2008	Tribute to the lead singer of the Irish folk band The Dubliners, featuring collaborations with his contemporaries.
Walk On	Aung San Suu Kyi	All That You Can't...	2001	Dedicated to her fight for democracy in Burma and her years under house arrest.
Silver and Gold	Nelson Mandela	Rattle and Hum	1988	Live outro features a passionate tribute to Mandela's fight against apartheid.
The Miracle (of Joey Ramone)	Joey Ramone	Songs of Innocence	2014	Tribute to the lead singer of The Ramones and his influence on Bono.
Cedarwood Road	Guggi	Songs of Innocence	2014	Nostalgic reflection on Bono's childhood and friendship with Guggi on Cedarwood Road.
Stand Up Comedy	Napoleon, Josephine	No Line on the Horizon	2009	Figurative reference to illustrate ego and the pitfalls of fame.
Miss Sarajevo	Inela Nogić	Passengers Original Soundtrack Vol 1	1995	Highlights the story of the winner of the Miss Besieged Sarajevo contest during the Bosnian War.
Van Diemen's Land	John Boyle O'Reilly	Rattle and Hum	1988	Inspired by the story of an Irish activist deported to Tasmania.
Sweetest Thing	Ali Hewson	The Best of 1980-1990	1998	Written as an apology to his wife for forgetting her birthday.
All I Want Is You	Ali Hewson	Rattle and Hum	1988	About his wife's unconditional love and her attempts to soothe his struggles.
Peace on Earth	(Implicitly) Victims of Omagh Bombing	All That You Can't...	2000	Reflection on the tragedy of the Omagh bombing and a call for peace.
Dirty Day	Charles Bukowski	Zooropa	1993	Lyric references a collection of his poetry, acknowledging his literary influence.

Pride (In the Name of Love) - Martin Luther King Jr.

"Pride (In the Name of Love)," a cornerstone of their album The Unforgettable Fire, stands as a powerful tribute to the American civil rights leader Martin Luther King Jr.. The lyrics resonate with the spirit of King's struggle for equality and his philosophy of non-violent resistance. Notably, the song references the tragic event of King's assassination with the lines, "Early morning, April four / Shot rings out in the Memphis sky". 

While the actual shooting occurred in the evening, Bono has publicly acknowledged this factual inaccuracy and often corrects the lyric to "Early evening" during live performances. This willingness to address the error underscores the band's deep respect for King's legacy, emphasizing their commitment to honoring his memory even while acknowledging an initial oversight. The songwriting process involved research, with Bono drawing inspiration from Stephen B. Oates's biography of King, Let The Trumpet Sound. 

This indicates a genuine effort to understand and pay homage to King's life and work. The song's enduring power lies in its chorus, "In the name of love / What more in the name of love?", which encapsulates the central theme of King's message: the ultimate power of love and sacrifice in the pursuit of justice and equality. "Pride" has transcended its initial release to become one of U2's most beloved and frequently performed songs, often accompanied by poignant clips from King's speeches during their concerts. 

This continued performance highlights the timeless relevance of King's message and the song's role in preserving his memory for new generations. The focus on King's "pride" in the song's title offers an interesting perspective, transforming a concept often associated with arrogance into a positive attribute of self-respect and dignity in the face of systemic injustice. The title's interpretation shifts from a potential reference to the pride of oppressors to an affirmation of King's unwavering self-esteem and the collective pride within the civil rights movement. This nuanced use of language enriches the song's overall meaning. 

Initially, the band considered basing the song on Ronald Reagan's emphasis on American military strength, but the focus shifted to King, suggesting a deeper connection to themes of social justice and non-violence within the band. This change in direction indicates a conscious choice to prioritize a message of hope and positive social change over direct political critique, reflecting the band's evolving understanding of their music's potential to contribute to important societal conversations.
MLK - Martin Luther King Jr.

Appearing on the same album, The Unforgettable Fire, "MLK" provides a more reflective and somber tribute to Martin Luther King Jr.. Described as an elegy, the song is a concise and thoughtful piece characterized by its simple yet profound lyrics: "Sleep, sleep tonight / And may your dreams / Be realized". The brevity and directness of these lyrics contribute to the song's atmosphere of reverence and mourning for the fallen leader.  

Angel of Harlem - Billie Holiday

From the album Rattle and Hum, "Angel of Harlem" emerges as a vibrant and celebratory tribute to the iconic jazz singer Billie Holiday, affectionately known as "Lady Day" and "The Angel of Harlem". The lyrics are imbued with a deep admiration for Holiday and vividly evoke the atmosphere of New York City, particularly Harlem, the neighborhood where she lived and significantly contributed to the cultural landscape. 

The song features a direct reference to Birdland, the renowned jazz club located on 53rd Street, and also mentions other legendary figures in jazz such as John Coltrane and Miles Davis. This contextualizes Holiday within the rich history and tradition of jazz music. 

The lines, "Lady Day got diamond eyes / She sees the truth behind the lies," pay homage to Holiday's insightful and deeply emotional artistry, suggesting her ability to perceive and convey profound truths through her singing. 

U2's exploration of American roots music in Rattle and Hum led them to honor a pivotal figure in American jazz, demonstrating their appreciation for the diverse musical traditions that have shaped popular culture.

One Tree Hill - Greg Carroll and Víctor Jara

"One Tree Hill," a powerful track from The Joshua Tree, serves as a poignant dual tribute, commemorating Greg Carroll, a young New Zealander who forged a close bond with the band, and honoring Víctor Jara, a Chilean singer-songwriter and activist who became a symbol of resistance.

 Greg Carroll worked closely with U2 and became a cherished friend of Bono before his untimely death in a motorcycle accident. 

The song's title itself is a reference to a volcanic peak located in Auckland, New Zealand, a place that Bono visited in Carroll's company. This personal connection imbues the tribute with a deep sense of personal loss and remembrance. The evocative lyrics, "And when it's raining / Raining hard / That's when the rain will / Break my heart," poignantly reflect Bono's profound grief at Carroll's passing, conjuring the somber atmosphere of a wet night in Dublin, where the tragic accident occurred. 

The song also extends its tribute to Víctor Jara with the powerful lines: "Jara sang, his song a weapon in the hands of love / You know his blood still cries from the ground". 

Jara was brutally tortured and killed during the 1973 Chilean coup d'état, becoming an enduring symbol of resistance against the oppressive regime led by Pinochet. Bono's awareness of Jara's story grew after meeting René Castro, a Chilean mural artist, during Amnesty International's A Conspiracy of Hope tour.  

God Part II - Albert Goldman

"God Part II," featured on Rattle and Hum, stands as a direct response to John Lennon's introspective song "God" and includes a pointed critique of the American biographer Albert Goldman. The song mirrors the lyrical structure of Lennon's original, with Bono listing various things in which he does not believe.

 Notably, Bono explicitly mentions Goldman with the assertive lines: "I don't believe in Goldman / His type like a curse / Instant Karma's gonna get him / If I don't get him first". This reflects Bono's strong disapproval of Goldman's often controversial and unflattering biographies of prominent musicians, likely encompassing his critical work on Elvis Presley (as indicated in the context of "Elvis Presley and America") and potentially his writings on John Lennon himself. 

The subsequent reference to "Instant Karma's gonna get him" directly alludes to another iconic song by John Lennon, further solidifying the connection between "God Part II" and its primary inspiration. 

Elvis Presley and America - Elvis Presley

The track "Elvis Presley and America," also from The Unforgettable Fire, directly stems from Bono's reaction to an Albert Goldman biography of Elvis Presley, which he found to be unflattering in its depiction of the legendary singer. 

The song's creation was largely spontaneous, utilizing a slowed-down backing track of "A Sort of Homecoming" with Bono improvising the lyrics during the initial recording. This improvisational approach suggests an immediate and emotionally driven response to Goldman's interpretation of Presley's life.

 Bono initially considered the vocal track to be a preliminary sketch, intending to refine the lyrics and vocal arrangement at a later stage, but the raw and unpolished version was ultimately released. 

This adds to the feeling of a direct and unfiltered reaction to Goldman's biography. Although Presley is not explicitly named within the song's lyrics (the title itself serves this purpose), the song's very existence and its direct inspiration demonstrate U2's engagement with the lives and narratives of other musicians, particularly those whom they admire or feel have been unjustly represented. 

The experimental Passengers album took another go at the mystery and muscle of Elvis.

The Ballad of Ronnie Drew - Ronnie Drew

"The Ballad of Ronnie Drew," released as a single in 2008, stands as a heartfelt tribute to Ronnie Drew, the unmistakable and iconic lead singer of the esteemed Irish folk band The Dubliners. 

Notably, the song features collaborations with The Dubliners themselves, along with the Irish bands Kíla and A Band of Bowsies, transforming it into a collective celebration of Drew's remarkable life and significant contributions to Irish music. Ronnie Drew was a highly respected and deeply influential figure within the Irish music scene, widely recognized for his distinctive gravelly voice and his charismatic presence on stage. 

This song underscores U2's strong connection to their Irish musical heritage and their profound respect for artists who have played a crucial role in shaping the cultural identity of their country. 

By collaborating directly with Drew's contemporaries, U2 not only pays homage to him but also acknowledges their own place within the broader and enduring tradition of Irish music.

Walk On - Aung San Suu Kyi

"Walk On," a compelling track from the album All That You Can't Leave Behind, is explicitly dedicated to Aung San Suu Kyi, the Burmese academic and pro-democracy activist who garnered international recognition for her courageous efforts. 

The song was directly inspired by Suu Kyi's unwavering commitment to the fight for freedom and democracy in Burma, which tragically resulted in her being placed under house arrest for an extended period. Due to its dedication to Suu Kyi, the song faced a ban in Burma, highlighting the significant political impact of U2's music and their consistent willingness to take a public stand on critical human rights issues around the world. 

Initially, Bono approached the songwriting by attempting to capture the perspectives of Suu Kyi's husband and son, imagining the emotional toll of their separation and uncertainty. This demonstrates the empathetic approach Bono took in trying to understand the personal sacrifices involved in her activism. Suu Kyi herself later expressed her appreciation for the song to Bono, stating that it resonated deeply with her own feelings and experiences. 

However, in 2017, U2 publicly expressed its profound disappointment with Suu Kyi's silence on the Rohingya Muslim genocide, leading the band to shift the dedication of the song to the Rohingya people instead. 

This demonstrates U2's evolving perspective on complex political situations and their unwavering commitment to human rights, even when it necessitates challenging individuals they once admired. This song serves as a powerful example of U2's long-standing engagement with political activism and their consistent use of their musical platform to champion human rights and democratic ideals across the globe. 

The initial support for Suu Kyi and the subsequent change in dedication reflect a nuanced understanding of evolving political landscapes and a willingness to hold leaders accountable for their actions, regardless of past admiration.

Silver and Gold - Nelson Mandela

While the studio version of "Silver and Gold" from Rattle and Hum does not explicitly mention Nelson Mandela within its main lyrical content, a live recording of the song included on the same album features a powerful and impassioned outro delivered by Bono, directly praising the iconic anti-apartheid revolutionary. 

Bono's spoken outro vividly describes Mandela's background and his unwavering struggle against the oppressive system of apartheid in South Africa, culminating in the impactful lines, "This is a song about a man who grew up in a little shanty town outside of Johannesburg... a man who was ready to take up arms against his oppressor".

 At the time of this recording in 1987, Nelson Mandela was still unjustly imprisoned, making U2's vocal and public support a significant political statement against the apartheid regime. U2's connection with Nelson Mandela extended far beyond this song, with Bono actively participating in Mandela's 46664 AIDS charity for many years. This demonstrates a long-term and meaningful commitment to Mandela's cause and his vision for a more just and equitable world. 

U2 also wrote Ordinary Love with Mandela in mind. 

The Miracle (of Joey Ramone) - Joey Ramone

"The Miracle (of Joey Ramone)," a track from Songs of Innocence, serves as a direct and heartfelt tribute to Joey Ramone, the unforgettable lead singer of the highly influential punk rock band The Ramones.

The song's title itself explicitly names Joey Ramone and celebrates the profound impact he had on Bono's own musical journey. The lyrics draw a vivid comparison between the music of The Ramones and a "siren song," effectively conveying its powerful and transformative effect on listeners. Bono has recounted that witnessing The Ramones perform during his formative teenage years significantly reduced his self-consciousness about his own singing abilities. 

This personal anecdote reveals the deeply influential role that Ramone played in Bono's development as a frontman and his confidence as a performer. This song clearly demonstrates U2's acknowledgment of their own musical influences and their profound respect for artists who, even from seemingly different musical genres, paved the way for their own subsequent success. 

Cedarwood Road - Guggi

"Cedarwood Road," another introspective track from Songs of Innocence, offers a deeply personal reflection on Bono's childhood experiences and his enduring friendship with Guggi, a close friend who lived nearby on the same street. 

The song is explicitly dedicated "For Guggi," underscoring the personal nature of the tribute. The lyrics vividly paint a nostalgic picture of their shared youth on Cedarwood Road in Dublin, specifically mentioning a cherry blossom tree as a significant and symbolic landmark of their formative years. Adding further context and depth to the narrative, a spoken-word narration by Gavin Friday, another childhood friend from Cedarwood Road, provides additional details about their shared upbringing, directly mentioning Guggi by name and recounting their collective experiences as teenagers. 

This song offers a more intimate and personal glimpse into Bono's life, revealing the lasting importance of early friendships and the formative influence of his immediate environment during his childhood. 

Stand Up Comedy - Napoleon and Josephine

While not a direct tribute to historical figures in the traditional sense, "Stand Up Comedy" from No Line on the Horizon includes a metaphorical and somewhat whimsical reference to Napoleon and Josephine. The lyrics feature the lines: "Stand up to rock stars / Napoleon is in high heels / Josephine, be careful / Of small men with big ideas". 

This appears to be a commentary on the potential for inflated egos and the inherent absurdities that can accompany fame and success within the music industry. The historical figures of Napoleon, known for his ambition and relatively short stature, and his wife Josephine are used as a somewhat ironic and cautionary image. 

This instance represents a more figurative application of real historical figures within U2's lyrics. 

Rather than engaging with their historical significance directly, the reference serves to illustrate a broader observation about human nature and the potential pitfalls associated with achieving fame and influence. 

The comparison to Napoleon and Josephine injects a layer of subtle irony and wit into the lyrics, utilizing well-known historical figures to make a contemporary point about the music industry and the potential dangers of unchecked ego - subject Bono knows all too well. 

Miss Sarajevo - Inela Nogić

"Miss Sarajevo," a powerful and moving collaboration with Brian Eno and the renowned opera singer Luciano Pavarotti, directly references Inela Nogić, who gained international attention for winning the 1993 Miss Besieged Sarajevo contest during the harrowing Bosnian War.

 Nogić's image from the beauty pageant, a striking symbol of defiance and resilience, was prominently featured on the cover of the single.

 This visual connection immediately reinforces the song's central focus on her remarkable story. The beauty pageant itself was held in a basement in an attempt to evade the constant threat of sniper attacks, and it served as a powerful act of resistance, demonstrating that life and the human spirit would endure despite the ongoing siege. 

Nogić and the other contestants bravely held up a banner bearing the poignant message, "Don't let them kill us," a direct and impactful plea that resonated deeply with international audiences. 

Footage from the pageant was incorporated into a documentary film also titled Miss Sarajevo, which played a crucial role in raising international awareness about the devastating siege and the suffering of the people living in Sarajevo. 

Van Diemen's Land - John Boyle O'Reilly

"Van Diemen's Land," a more understated track from Rattle and Hum, draws its inspiration from the historical account of John Boyle O'Reilly, an Irish figure who was arrested for his opposition to British rule and subsequently deported to Australia, specifically to Tasmania, which was historically known as Van Diemen's Land. 

The song is performed solely by The Edge, featuring only his vocals and acoustic guitar, lending it a folk-song-like quality that evokes the historical period and the nature of O'Reilly's story. The lyrics speak of a man being forcibly transported for advocating for improved conditions, directly reflecting the circumstances of O'Reilly's activism and subsequent exile. 

This song demonstrates U2's connection to Irish history and their awareness of past struggles for independence, justice, and better social conditions. 

Sweetest Thing and All I Want Is You - Ali Hewson

While Bono has not always explicitly named his wife, Ali Hewson, in his songwriting, several U2 songs are undeniably inspired by or directly about their enduring relationship. "Sweetest Thing," notably included on the compilation album The Best of 1980–1990, was written by Bono as a heartfelt apology to Ali for having forgotten her birthday while the band was deeply immersed in the recording sessions for The Joshua Tree. 

This personal anecdote offers a glimpse into the human side of a globally famous rock star, revealing the everyday challenges of balancing the demands of a high-profile career with the importance of personal relationships. 

"All I Want Is You," a powerful ballad from Rattle and Hum, has been described by Bono as a song that reflects Ali's unwavering and unconditional love for him, as well as her acceptance of all aspects of his personality, including his struggles. Bono has clarified that Ali is, in fact, the central protagonist of the song, with the lyrics representing her perspective and her efforts to provide solace and support during his difficult times. 

This offers a deeply personal and mature perspective on the complexities of long-term love and commitment, moving beyond idealized notions of romance to acknowledge the realities of navigating life's challenges together. 

Peace on Earth - Victims of the Omagh Bombing

"Peace on Earth," a poignant track from All That You Can't Leave Behind, serves as a reflective lament for the victims of the devastating 1998 Omagh bombing in Northern Ireland. The Omagh bombing was a horrific act of terrorism that resulted in the tragic deaths of 29 individuals and two unborn children, leaving a lasting scar on the community. 

This tragedy occurred shortly after the signing of the Good Friday Agreement, a pivotal moment that brought a sense of hope for lasting peace to Northern Ireland. While the song does not explicitly name any of the individual victims of the bombing, it functions as a collective expression of grief and a heartfelt plea for enduring peace in the aftermath of this senseless violence. 

This song demonstrates U2's ongoing engagement with the political and social issues that affect their homeland, utilizing their music as a powerful medium to express profound grief and to advocate for the vital importance of peace and reconciliation in a region that has experienced significant conflict. 

Dirty Day - Charles Bukowski

"Dirty Day," featured on the album Zooropa, draws its inspiration not only from sayings commonly used by Bono's father but also from the literary works of the writer Charles Bukowski. 

Specifically, the lyric "these days, days, days, run away like horses over the hill" is a direct reference to a collection of poetry by Charles Bukowski titled The Days Run Away Like Wild Horses. Bukowski was renowned for his raw, often cynical, and deeply introspective portrayal of everyday life and the human condition. 

This song highlights U2's engagement with the world of literature and demonstrates how they draw inspiration from writers who explore themes of human experience in unconventional and often challenging ways. 

While "Dirty Day" is not explicitly about Charles Bukowski himself, the direct incorporation of his poetic imagery serves as a clear acknowledgment of his literary influence on the band's songwriting. The inclusion of a Bukowski reference suggests a thematic resonance between the song's exploration of father-son relationships and the passage of time, and the often gritty and introspective nature of Bukowski's literary work.

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10 U2 songs that reflect on American culture and politics

U2 are no strangers to having a say on America, its people, and its politics. They are fairly big on political activism. In fact, making political commentary is almost second nature to Bono, if he's not singing about troubles in Ireland, he's trying to convince someone like George Bush Jnr to reduce the debt owed to America by third-world countries. 

He shares his views because he earnestly cares.

Most people don't.

U2's lyrical journey through the complexities of American politics and culture stands as a testament to their keen observational skills and deep empathy for global issues. 

Over the decades, U2's music has often served as a mirror, reflecting the diverse and dynamic facets of American life (refer Rattle and Hum and plenty of POP), from its lofty ideals and cultural vibrancy to its political controversies and societal challenges.

The band's engagement with American themes is deeply rooted in their own experiences and observations. From their early tours in the United States, U2 was captivated by the country's vast cultural landscape and its pivotal role on the world stage and U2 began to reflect this through its song. 

Outside is America

 

10 U2 songs that reflect on American culture and politics  

Songs like "Bullet the Blue Sky" and "Pride (In the Name of Love)" exemplify how U2's music delves into the heart of American political discourse, addressing issues from foreign policy to civil rights. These songs are not just performances; they are powerful statements that reflect the band's longstanding commitment to advocacy and activism. 

By integrating their observations of America into their music, U2 has created a body of work that resonates with listeners worldwide, offering insights not only into American culture and politics but also into the universal themes of justice, freedom, and human resilience.

Angel of Harlem

A song inspired by singer Billie Holiday, Bono was trying to throw the kitchen sink at this song, referencing all kinds of musical figures related to the city of New York - even a popular radio station was mentioned!

U2 appeared to be trying to 'get into' the blues on Rattle on Hum. This song was a clear step in that musical genre, and the inclusion of names from artists who helped shape it was an attempt to give it an air of authenticity.

America is, after all, the home of the blues.

A less cynical reader might simply see the lyrics of Angel of Harlem as a celebration of the city.

The Saints Are Coming

While not written by U2 or Green Day (it was a cover of The Skids song), The Saints Are Coming is a song both bands recorded together to deliver a blunt political message about the U.S. Government's response to Hurricane Katrina which many felt was negligent and that the Bush administration was "Stuck on Stupid".

The promotional video deliberately played on popular feelings of utter disbelief and dismay at the way the U.S. government had responded to the event.

Stuck on stupid indeed.

Bullet the Blue Sky

Perhaps the archetype political song by U2 (arguably Sunday Bloody Sunday could take that role too) the lyrics describe the unintended consequences of US President Ronald Reagan's foreign policy decisions in South America.

The song lyrics are an overt criticism of the American policy of "stop communism at all costs" 

Such policy led the Reagan Administration to provide financial and political support to the Salvadoran regime which required them to ignore that regime's abuse of human rights. 

New York

Is it really any surprise that U2 ended up writing a song about New York?

U2’s song "New York," from their 2000 album All That You Can’t Leave Behind, reflects Bono’s complex relationship with the city, blending admiration with personal introspection. The song serves as both a tribute to the vibrant and diverse metropolis, while also highlighting its contradictions—its allure, chaos, and underlying darkness. 

Throughout the lyrics, Bono captures the energy and dynamism of New York, portraying it as a place of reinvention and possibility, where people from all walks of life come together. The city becomes a metaphor for resilience, diversity, and the constant renewal of identity.

However, the song also conveys a sense of personal loss and dislocation. Written before the September 11 attacks but taking on an added weight in their aftermath, “New York” seems to express both Bono’s love for the city’s iconic energy and his awareness of the alienation and tragedy that can lie beneath its surface. 

Bono has stated that the song is a tribute of sorts to both Frank Sinatra and Lou Reed both of who Bono idolised. U2 would write Two Shots of Happy, One Shot of Sad for Sinatra which daughter Nancy ended up releasing and U2 would cover Satellite of Love in respect of their love for Reed.

The Play Boy Mansion

The Playboy Mansion stands (stood?) as a complex cultural symbol, embodying both the virtues and vices often attributed to American society. 

On one hand, it represents the excess, hedonism, and materialism that some critics argue are among the more troubling aspects of the American dream. The mansion, with its infamous parties, opulence, and superficial glamour, highlights the country’s obsession with wealth, pleasure, and fame, often at the expense of deeper values. 

Hugh Hefner, the mastermind behind this iconic landmark, remains a figure of both admiration and controversy, embodying the paradox of American values—he is celebrated for pushing boundaries and challenging societal norms, yet criticized for promoting a lifestyle that some view as shallow or morally questionable. 

Or rather he was simply a sexist, misogynist dinosaur. 

A relic of the Cold War...

In the context of Bono's lyrics, the mention of the Playboy Mansion could be seen as a satirical commentary on these dualities. 

The lyrics might offer a tongue-in-cheek critique of American icons, highlighting how celebrity, wealth, and material pleasure are often held up as ideals in popular culture. 

Yet, Bono’s own moral and philosophical leanings suggest he is not sincerely advocating a visit to Hefner’s mansion as a genuine path to fulfillment. By invoking the Playboy Mansion, Bono might be critiquing the way American society conflates superficial pleasure with genuine happiness, using irony to challenge listeners to reflect on what they truly value.

We are pretty sure Bono's Fly character would have turned up at some point...

Elvis Ate America and Elvis Presley And America

Two for the money here - U2 have often sang about Elvis - and these songs were a celebration of the man and his legacy on music.

The lyrics that 'Elvis would have been a sissy without Johnny Cash' were a great piece of commentary - the use of the word 'n-word' was a brave move.... did Chuck D approve?

Zooropa

Many of the verse lyrics are borrowed from the slogans of American companies and corporations.

These slogans include "Be all that you can be" from the United States Army), "Fly the friendly skies" from airline United Airlines), Colgate's "Ring of confidence (the lyric being "We've got that ring of confidence"), and Fairy's "Mild green Fairy liquid" (the line being "We're mild and green and squeaky clean").

This could be simply viewed some kind of meta commentary on American consumerism (admittedly the song has slogans from other European countries) and perhaps hints at some kind of moral confusion where the morals of a society may be dictated by the corporate dollar spend on advertising.

Pride (In the Name of Love)

Pride has become an international anthem for peace, freedom, and human rights.

Its inspiration was the civil rights movement in the United States in the 1950s and '60s.

The song is a celebration of Martin Luther King Jr. who has become the symbol for equal rights in America for all persons.

U2 also wrote the song MLK about the same subject.

Seconds

While the lyrics are a loose story of a terrorist trying to arm a bomb and perhaps set it off, the context for the song is that it was written by Bono in the 1980s.

This was a period when the Cold War between the USSR and America had reached an all-time freezing point in relations (save for the Cuban missile crisis!).

The song evokes the fears that people had that this Cold War could potentially lead to nuclear war and the cold winter that would bring.

The Hands That Built America

"The Hands That Built America" is a reflective piece that pays homage to the immigrant experience in the United States, centering on the contributions of Irish immigrants and expanding to represent the diversity and hardship of all immigrant stories. 

Written for Gangs of New York and later included on The Best of 1990-2000, the song delves into themes of resilience, sacrifice, and the promise of the "American Dream." 

It touches on the physical and emotional labor immigrants invested in building the nation, often in the face of prejudice and struggle. The lyrics underscore America as both a beacon of opportunity and a site of challenges, highlighting the juxtaposition between the ideals of freedom and the reality of assimilation and survival. 

It was nominated for Best Original Song at the 75th Academy Awards, but lost to "Lose Yourself" by rapper Eminem.

American Soul

From the Songs of Experience album, U2 dropped American Soul like it was hot with a rap by Kendrick Lamar. It explores themes of American identity, patriotism, and idealism, while also critiquing the nation's contradictions and challenges. 

The song reflects on the idea of America as a symbol of freedom, hope, and inclusivity, but juxtaposes this with its history of social inequality, political strife, and exclusion. Bono’s lyrics call for unity, love, and a reawakening of the values that America claims to uphold, urging listeners to reclaim the true "American soul" in the face of division and injustice. 

That's just a taste of songs that U2 has used to make a comment on America.

There's almost a duplicity to U2 in this regard - they tour America, grab the cash + fat cheques from Apple and revel in its people and then at the same time they make sharp criticism of its leaders, their institutions, Micheal Jackson and Coke.

Get Out of Your Own Way

"Get Out of Your Own Way," also from Songs of Experience, critiques both personal and societal barriers, intertwining themes of political resistance with a message of empowerment. 

The lyrics combine Bono’s call for self-awareness with a reflection on the social tensions he observes in America, especially regarding civil rights and political division. 

The song has direct commentary on the state of American politics, the election, and performance of Donald Trump, echoing sentiments of disillusionment in a fractured landscape. The track is a critique of injustice and systemic failure, while exhorting listeners to overcome personal and societal divisions. 

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We trust U2 fans are in on all of this but it but it might be hard to tell in a country where many people think Bruce Springsteen's Born in the USA is a patriotic song.....

Leave a Comment america, elvis ate america, politics, u2

How many number ones has U2 had?

How many number one songs have U2 had?

The short version: United Kingdon 7 and United States 2

The long version:

U2 have had all kinds of hits on the music charts but at the end of the day it’s the songs that made number one on those charts that are often the ones asked about as questions in pub quizzes.

So to help you out, here’s a list or two of U2 songs that have made number one.

There are various kinds of charts that track song popularity and they often revolve around rock, country and blues and are used to allow music that would never be mainstream get some air time. There’s even the itunes charts which for some unexplained reason people seem to think matters… but the truth is digital sales are the the only way sales of singles occur these days.

When was the last time you physically purchased a U2 single?

Too my mind there are two charts that really count. 

Being ‘Top of the Pops’ in the UK means you are number one and crowning the Billboard 200 means you have the most popular song for the week in America.

And we’ll use those charts to show how many number on hits U2 have had.

First up is the America Billboard chart which shows the U2 have had two US number one hits. Both hits were from The Joshua Tree and were With or Without You and I Still Haven’t Found What I’m Looking For. 

Desire from Rattle and Hum made it as high as 3 and a couple of singles from Achtung Baby and Pop made the top 10 and that’s it.

So, U2 have only had 2 number one American hits.

It’s a better story for the UK chart where U2 has had a bit more success in terms of chart toppers.

Nothing from The Joshua Tree went to number one despite the album’s massive success so it was Desire that became U2’s first UK number one hit. It came from Rattle and Hum. In 1991 when The Fly flew off as the lead single from Achtung Baby it landed at number 1.  Talk about post modern irony.

It was a long time between drinks when Discotheque dropped in 1997.

U2’s spiritual come back album All That You Can’t Leave Behind had a string of popular singles but only Beautiful Day in 2000 managed the top spot.

A debatable number one is Take Me to the Clouds Above" by LMC vs. U2. Debatable as it was a song featuring samples from U2's With or Without You with a healthy splash of Whitney Houston thrown in. At the end of the day, the song has U2’s name in the space where the artist’s name goes so it counts as a number one.

How to Dismantle an Atomic Bomb offered a notable double with both Vertigo and Sometimes You Can’t Make It on Your Own grabbing their time in the top position.

We have a hazy sense only Oasis have done that trick in the last 30 years.   

'No Line on the Horizon' suffered from a lack of hit singles. Such a shame, the album had some good songs.

This means U2 have had seven number one hits in the UK and two in the United States. 

How many Irish number one songs has U2 had?

Unsurprisingly, U2 are even more popular in their home country of Ireland and owned the number one place an awesome 21 times.

That's right in Ireland, U2 have had 21 number one singles.

U2 also seems to do fairly well in Canada.

A really interesting number one is The Joshua Tree's song, One Tree Hill. It was written in memory of Greg Carrol, a friend of U2 who died while working for them. Carrol was a New Zealander so U2 decided to release the single only in New Zealand where it went to one, become U2's first number one there.

When U2 play NZ, they play that song every time and rarely play it outside of NZ but they did for the 30th Anniversary of the The Joshua Tree.

List of U2’s UK number one songs:

• Desire
• The Fly
• Discotheque
• Beautiful Day
• Take Me to the Clouds Above
• Vertigo
• Sometimes You Can’t Make it On Your Own

And if you're still with us, here's a list of U2's number one albums.

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U2 lyrics that explore religion, Jesus, Yahweh and The Good Book

It seems almost obligatory to do a post on U2's spiritual side. They are perhaps the world's most popular Christian band after all!  I say Christian very loosely though as for some people that kind of connotation can turn them right off  but U2's is most definitely a band that is not shy of exploring their spiritual lyrical side.

Bono, U2's main lyric writer, is a noted musical magpie who steals lines from the Bible to help with his song crafting. Indeed, there's a whole page of bible references Bono has made across the U2 song catalogue.

You could almost put U2's song lyrics into two distinct camps - songs about spirituality and songs about politics (such as nuclear war). 

You could throw in a third camp about of U2's love songs if you wanted but since when has 'love' not ever been spiritual or a matter of politics?

Jesus is a popular man in U2 songs, along with mentions of Yahweh, the references to the Koran and a few other Saints - so I thought  I'd feature a few U2 song lyrics that show case Bono's spiritual side and give a little insight into what I think the lyrics mean and perhaps give a little context on the genesis of some of them...

I Still Haven't Found What I'm Looking For

Many people suddenly found themselves to be U2 fans in the late 80s when The Joshua Tree album started topping charts around the world.

Helping lead the charge was I Still Haven't Found What I'm Looking For which is the gold standard if you are looking for a U2 song that focuses on a spiritual yearning. 

Stealing the line from the Bible's 1 Corinthians 13:1: "If I speak in the tongues of men and of angels, but have not love, I am only a resounding gong or a clanging cymbal." Bono directly references Corinthians 13 in Elvis Ate America from the Original Soundtracks Vol 1.

Bono sung  "I have spoken with the tongue of angels" thus heralding to the world where he was coming from yet he then signalled his mischievous side with the following lyric that he had also 'held the hand of the Devil'.

Wake Up Dead Man from the Pop album

In tough times people often turn to their spiritual advisor for support - Wake Up Dead Man is Bono trying to get a direct line with Jesus to come and fix "the fucked up world'.

Originally written during the Zooropa recording sessions, the final version ended up on Pop as an effective album closer.

Fun aside, Hold Me Thrill Me Kiss Me Kill Me also came from the Zooropa recording sessions and asks a question of Jesus.

Gloria 

The lyrics of "Gloria" from U2's October album are a powerful expression of spiritual yearning and the tension between human limitations and divine transcendence. Bono uses the Latin phrase "Gloria in te Domine" (Glory in you, Lord), immediately situating the song within a religious context, invoking a direct appeal to God. 

The chorus, with its repetition of "Gloria," echoes a form of worship, a plea for connection with the divine. The verses reflect a personal struggle—Bono sings of feeling both empowered by faith and constrained by doubt, as he expresses the desire to "sing out loud," but feels his "voice can't take the strain." This contrast between the desire for liberation and the awareness of human frailty runs through the song, capturing the essence of spiritual conflict. 

"Gloria" is about searching for God amidst life's chaos, seeking to break free from earthly confines to embrace something higher. The recurring imagery of rising and being lifted points to a longing for spiritual elevation, while the song's soaring melody mirrors this aspiration. 

Ultimately, "Gloria" is both a cry for help and an act of devotion, reflecting Bono's ongoing quest for faith and purpose, which is a central theme of the October album.

Yahweh

A beautiful track from U2's How to Dismantle An Atomic Bomb, Yahweh's lyrics are a reflection of Bono's faith (as the son of a Catholic father and an Anglican mother) and points to the differences in the power that he believes between God and mankind. 

The word 'yahweh' has traditionally been by transliterated from the word Jehovah. Jehovah is often described as "the proper name of God in the Old Testament".

Larry, Bono, Edge and Adam, hold the bike while I get on?

Sunday Bloody Sunday

A protest song about the political troubles that have face the people of Ireland, its inspiration was a couple of events where soldiers shot civilians in Northern Ireland. 

The Derry massacre, or Bloody Sunday, was deeply intertwined with the religious divide between Catholics and Protestants in Northern Ireland, where Catholics, largely identifying as Nationalists, sought reunification with the Republic of Ireland, while the Protestant Unionists favored continued British rule. 

The religious divide was a driving force behind the sectarian violence, with British military intervention being perceived by many Catholics as siding with the Protestant-dominated government.

Until the End of the World

This has proved to be an incredibly popular song from U2's Achtung Baby and has been played on just about every tour U2 have done since that album was released in 1991.

In U2 fan circles, the song is semi-legendary for being interpreted as a fictional conversation between Jesus and Judas following the betrayal in the Garden of Gethsemane.. The lyrics subtly convey a deep sense of remorse on Judas's part, suggesting that he came to regret his actions after betraying Jesus. This spiritual theme delves into the weight of guilt, forgiveness, and the consequences of moral failure, culminating in Judas’s tragic decision to take his own life. The song invites listeners to reflect on themes of redemption, betrayal, and the complex human emotions tied to spiritual crises.

Tomorrow

A classic earnest lyric from Bono, the song reflects a period in his life when he was grappling deeply with his faith, mortality, and spiritual identity. 

The October album, in particular, marks a pivotal moment in Bono’s songwriting, often referred to as the "God Watch" phase. This phase was characterized by an intense personal search for meaning, fueled by the loss of his mother and the existential questions that followed. 

His mother's death, which occurred when Bono was a teenager, left a lasting impact on him, and this grief permeates much of the album's lyrical content, as he contemplates life, death, and what lies beyond.

Bono's lyrics reflect internal dialogue about his relationship with God, his struggles with doubt, and the idea of meeting Jesus. It's as if the songs are meditations or prayers, filled with both yearning and uncertainty, as Bono navigates the tension between his faith and the harsh realities of life. 

Stranger in a Strange Land

The lyrics of U2's "Stranger in a Strange Land" evoke the biblical story of the Road to Emmaus from Luke 24, where the resurrected Jesus appears as a stranger to two of his disciples. Throughout their journey together, the disciples fail to recognize him until he breaks bread with them, revealing his true identity. 

This theme of spiritual blindness and revelation resonates in the song's lyrics, with Bono seemingly drawing parallels between the experience of feeling disconnected from or alienated within the world and the deeper spiritual realization that can suddenly arise in unexpected moments. 

The metaphor of being a "stranger" captures the human condition of searching for meaning, struggling with faith, and the longing for a connection that transcends the ordinary—similar to how the disciples, initially lost and disillusioned, found hope and recognition in Jesus once their eyes were opened. 

If God Will Send His Angels

It's hard to discern the actual message of this song. The lyrics possibly suggest the character is living in a world where they need some help and they need some angels to come and sort things out.

The line "where is the hope, and where is the faith, and the love?" hints at a lost soul that needs some guidance in light of a world they are concerned about such one where the cartoon network leads into the news and the blind lead the blondes.

The song featured on the City of Angels soundtrack and was a fairly popular single from the Pop album.

Salome

Salome is inspired by the story of the death of John the Baptist which was from the gospel of Mark.

Supposedly a seductive dancer (in the modern-day vernacular, she'd be known as a stripper) Salome's super gyrations convinced the King to grant her a wish to which she asked for the head of John.

Pretty random story and sounds like something that got lost in translation when the Bible got rewritten. It's either that or Oscar Wilde had an overactive imagination. 

These eight songs were only a taste of the many songs that Bono has imbued with lyrics that refer to the Bible or have looked into an 'ecumenical' matter of sorts - Gloria, for example, could probably have a whole essay written about it.

The Wander

In "The Wanderer" from Zooropa, Johnny Cash's vocals paint a vivid picture of a man drifting through a dystopian landscape, searching for meaning in a morally bankrupt world. His journey takes him through the "capitals of tin," a metaphor for modern cities where superficiality reigns, and freedom is stifled, symbolized by the line "where men can't walk or freely talk, and sons turn their fathers in." This chilling observation reflects a society where trust is broken, and even familial bonds are sacrificed for survival or conformity.

As he stops outside a church, Cash highlights the paradox of people desiring the comforts of a spiritual kingdom but rejecting the divine presence itself—"they say they want the kingdom, but they don't want God in it." 

This speaks to a hollow, materialistic spirituality devoid of true faith or connection. The wanderer continues his ride down "that old eight lane," a symbol of the vast, impersonal highways of modern life, passing countless signs, searching for his identity, but finding nothing. His journey is both physical and spiritual, one of existential longing, as he went out "with nothing but the thought you'd be there too, looking for you," a poignant reflection of the hope that perhaps in this desolate world, he might find someone who shares his quest for meaning, love, or redemption. 

The song, rich with metaphor, explores themes of isolation, disillusionment, and the relentless pursuit of something greater in a fractured world.

What other songs do you think show U2's spiritual side? What do they mean for you?

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U2 songs that reference nuclear bombs and other horrors

U2's engagement with themes of nuclear war and weapon disarmament, particularly evident during the tense era of the Cold War, underscores their commitment to addressing global concerns through their music. The band's approach to these themes is a reflection of the prevailing anxieties and debates surrounding nuclear proliferation and the potential for catastrophic conflict. 

U2's lyrics often weave a narrative that captures the fear and existential threat posed by nuclear weapons, serving as a voice for peace and disarmament in a world brimming with geopolitical tensions.

The band's exploration of these themes is more than just a commentary on global politics; it's an emotional plea for sanity and survival in the nuclear age. Their songs communicate the urgency of disarmament and the need to redirect human efforts towards peace and cooperation. This messaging is particularly resonant given the band's rise to prominence during a time when the threat of nuclear war loomed large in public consciousness. 

U2 also once famously protested against the Sellafield nuclear plant by colluding with Greenpeace to stage an event on a beach near the site that was contaminated with radiation as the result of the power plant’s activities.

As far as I can figure the earliest U2 song lyrics that refers to atomic bombs is from the non album single, Celebration where Bono sarcastically shares that he believes in the following three things:

“I believe in the third world war

I believe in the atomic bomb

I believe in the powers that be but they won't overpower me”

That was as far back as 1982.

Seconds from the popular War album is another early U2 songs to make direct references to atomic bombs

“And they're doing the atomic bomb

Do they know where the dance comes from

Yes, they're doing the atomic bomb

They want you to sing along"

Bono said to the NME music magazine in 1983 of the song:

"There is a line in 'Seconds' about a fanatic assembling a nuclear device in an apartment in Times Square, New York, but it could be anywhere. We are now entering the age of nuclear terrorism where a group of fanatics could have the capabilities of bringing a bomb into a city and holding millions of people to ransom."

The Unforgettable Fire was released in 1984 in a time when the world was worrying itself sick about the arms race between the US and the Russians. Bono was inspired by a collection of paintings collectively known as The Unforgettable Fire which was a reference to atomic bombs being dropped in the Japanese cities of Hiroshima and Ngagasaki. 

Says the Edge of the art display (in the book U2: Into the Heart: The Stories Behind Every Song) "the image of that purging quality, coupled with the insight it gave into the horror of nuclear holocaust, stuck in Bono's mind".

The Wanderer, featuring country and western legend Johnny Cash from the Zooropa album was definitely suggestive of being set in a post apocalyptic world set under an 'atomic sky'. Lyrically it featured a character that appeared to be struggling to find some kind of spiritual identity.

Another U2 album title also referred to atomic bombs in a most direct fashion – How to Dismantle An Atomic Bomb was a popular album that had a bonus track Fast Cars which gave the answer to the album’s question – one dismantles an atomic bomb with love.

Through these songs, U2 not only raises awareness about the dangers of nuclear weapons and the need for disarmament but also encourages their listeners to contemplate the moral and ethical implications of war. Their approach to these themes is not didactic; rather, it invites reflection and dialogue, contributing to a broader discourse on peace and global security. 

U2's songs about nuclear war and disarmament underscore the band's role as not just musicians but also as global citizens deeply invested in the pursuit of a more peaceful world.

U2's ability to articulate the collective fears and hopes of their generation, and to advocate for a world free of nuclear weapons, demonstrates their role not just as entertainers, but as global activists using their platform to inspire change and provoke thought on critical issues. Their contribution to the discourse on nuclear disarmament highlights the power of music as a tool for social and political engagement, resonating with audiences worldwide and lending a voice to the movement for global peace.

Are there any other U2 lyrics that refer to nuclear issues?

Check out this other article that discusses Bono's lyric writing abilities

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10 songs that show Bono's lyrical qualities

The one thing that truly stands out for me when thinking about the brilliance of U2 is not their songs, the drums, or riffs.

 
Nor is it the hype and hyperbole of one of the world's most popular bands.

It's simply Bono's lyrics.

Bono has written the vast majority of U2's lyrics and in many of them, you can find some true gems of penmanship, little sparkles of lyrical bliss that took a good song and put it into the territory of musical greatness.

I suggest that while some non U2 fans take any chance to diss Bono, they would be really grumpy buggers if they denied that Bono was a great lyricist.

Like a good poet, Bono's lyrics feature a whole range of subjects - love and loss, drugs, faith, faith in drugs, gods, Elvis and other monsters and of course, politics and its prisoners. He can sometimes get a little dark, touching his inner Darth Vader.

This work leaves ample room for an inquiry into U2's lyrics, especially when The Edge chips in the odd song.

10 songs that show Bono's lyrical writing qualities

What rhymes with achtung?

So what are Bono's best lyrical moments and qualities? 

What's his inspiration for putting pen to paper?

What makes Bono's lyrics so well received by millions of listeners and readers around the world?

I can't speak for anyone else but I thought I could share 10 U2 songs which I think highlight Bono's mastery of his craft.

Some things are simply clever word plays, others are stories of delight and irony - a thing which Bono and the boys were very heavy on in the 1990's.

Trabants on stage anyone?

10 songs that show Bono's lyrical qualities

One

Perhaps second only to With Or Without you in terms of popularity, it is arguably U2's finest song and I believe the lyrics are what make this so - I think this is because it's one of those songs where the lyrics can mean anything and everything to anyone.

At work last week a manager did a pop quiz and asked what this song was about. The answers varied from 'it's about a gay couple' or 'two torn lovers'.

I think Bono's actually on record in the U2 by U2 book as One being a song about a couple that's breaking up.

But that doesn't matter as its words are universal and have been taken to heart by so many U2 fans - indeed some have even had it as their wedding song which I'm sure would be a delicious irony for Bono. 

The Wanderer

"They say they want the kingdom but they don't want God in it".

I think that's Bono perfectly capturing the wishes of so many of us.

We want the nice things, but aren't prepared to put in the effort.

Or something.

For me, The Wanderer always seemed like some post apocalyptic dream - and it's perhaps a sign of a great song where it allows you to shape your own thoughts and fantasies around it (well when Bono mentions the 'atomic sky', that's nice nudge).

Indeed, the whole of Zooropa's lyrics seem to take me to a strange other world, where in some places it's OK to feel numb or taste the lemon but spit out antifreeze.

Original of the Species

The title is suggestive of what's to come in this song, a play on Darwin's epic work about evolution - the song's lyrics are possibly a father looking at his daughter's own evolution from - child to woman.

The second half is more likely Bono singing to his wife (and the message in the first half could also before her) - either way both, themes are heartwarming.

If God Will Send His Angels

'Blind leading the blond' is perhaps my favourite U2 lyric ever. It's just a cleverly simple play on words.

Bono does that trick a fair bit in the Pop album - an almost too cute example is from The Playboy Mansion which opens with the lyric "If Coke is a mystery, and Micheal Jackson, history...".

It was a nice play on the failing career of Jackson and a play on the name of his Greatest Hits album.

Sunday Bloody Sunday

Bono defiantly wears this song's lyrics on his sleeve.

A song about soldiers shooting civilians in Northern Ireland - the lyrics capture the moment crisply by invoking a cross fire between religion and the military (and by extension the State) and the sad consequences when both collide.

Featuring a fine use of  a marching drum beat by Larry Mullen, the song's chorus is a defining moment for Bono - it was one of U2's first truly popular 'classic' songs and it many ways this song defined U2 as a band that could carry some political weight.

U2 would return to this theme with "Please" and "The Troubles".
.

Until the End of the World

"In my dream I was drowning my sorrows
But my sorrows, they learned to swim
Surrounding me, going down on me
Spilling over the brim

Waves of regret and waves of joy
I reached out for the one I tried to destroy
You, you said you'd wait
'Til the end of the world"

Simply one of Bono's finest song writing moments.

Water is commonly used as a metaphor life yet here's Bono drowning in his sorrows.

The song can be seen as a obvious story about how Judas betrayed Jesus and thus seen as one of those "U2 going on about God and spiritually" type songs but as with all good lyrics they can mean anything.

I tend to see this one more of a dramatic break up between two lovers where the relationship perhaps has been bit one sided.

The Wanderer

"They say they want the kingdom but they don't want God in it". I think that's Bono perfectly capturing the wishes of so many of us.

We want the nice things, but aren't prepared to put in the effort.

For me, The Wanderer always seemed like some post apocalyptic dream - and it's perhaps a sign of a great song where it allows you to shape your own thoughts and fantasies around it (well when Bono mentions the 'atomic sky', that's nice nudge).

Indeed, the whole of Zooropa's lyrics seem to take me to a  strange other world, where in some places it's OK to feel numb or taste the lemon but spit out antifreeze.

Please 

Not a hugely popular song on release as a single but I think time has shown that Please was a fine song from U2's Pop album.

Lyrically it was a political plea, invoking the captains of Irish politics to sort their messes out (The Troubles).

The listener would perhaps know the song had political connotations if they had seen the cover which featured Gerry Adams and other elected leaders - however this stanza effectively leaves no stone unturned as Bono thows a rock in the air to hit home the issues:

Your Catholic blues, your convent shoes
Your stick-on tattoos, now they're making the news
Your holy war, your northern star
Your sermon on the mount from the boot of your car

Strong stuff from an album many people were quick to write off.

Get on Your Boots

One could be forgiven for thinking that Get on Your Boots was simply a throw away song by U2 ( indeed one wonders why they released it as the first single from No Line on the Horizon when Magnificent probably would have given them a hit single) however the lyrics of this song run deep.

Almost a stream of consciousness, tripping through its seemingly nonsensical words but when Bono writes "I don’t want to talk about the wars between the nations" is he saying everything or just burying his head in the sand?

All I Want is You

This is Bono's finest love letter he has ever written.

The closing from Rattle and Hum is simply a man tell a woman how he loves her - it's perhaps not the happiest song with undertones suggesting things may have gone awry - indeed the tremendous coda at the end suggests a passionate love affair being ripped apart by uncaring forces.

A good lyric deserves a fine musical backing and All I Want is You has it in spades.

Summary

So that was my attempt to highlight some of the fine lyrical qualities and charms that Bono and U2 have to offer.

Of course, with any interpretation of songs, the whole exercise is a subjective journey, indeed a musical journey that could have stopped at a completely different set of songs.

Bono is a bit of a lyrical magpie.

He steals lines from the bible and riffs on the work of others (such as when he tried to write a sequel of sorts to John Lennon's 'God') to make his point. But he does that and gets his unique messages across to the listener very well.

If someone hasn't already printed a book featuring all of U2's lyrics, they surely will as they serve as some fine literature in their own right. Throw in some politcal rallying and a little love making and there's a best seller book of poetry on your hands....

What are your favourite lyrical moments from U2?

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